Chereads / Fox of France / Chapter 11 - Screenwriter

Chapter 11 - Screenwriter

Joseph's life thereafter was indeed as hard as Armand estimated, living from day to day on nothing but extra black bread and cold water. This went on for about two months, and Joseph managed to get himself into a more bamboo-like shape.

"Joseph, there is a theater troupe that has recently been preparing a comedy called The Island Governor. Well, this story is from Don Quixote. I think you're in perfect shape today to star as Don Quixote in this comedy." Armand smiled and said to Joseph.

"The hell with it!" Joseph said, "Surely Don Quixote is not the main character in this play, is he? The main character should be Sancho."

When he said that, he looked Armand up and down again and said: "I have to say, you need to make a big effort to be cast in a leading role."

"Who says I'm playing the lead? How is this possible?" Armand said, "Sancho is a short, fat man, and I, though slightly shorter than you by a tiny bit, have nothing to do with me, either short or fat. Joseph, are you out of your mind or out of your mind's eye? Or maybe it's because you're so fully in character that you can already see windmills as giants?"

Joseph listened and laughed out loud: "Ah, Armand, why is your brain so rigid? Isn't it the absurdity of comedy that makes it comedy? Armand, you have to realize that the world is absurd and life is painful. That, my friend, is the reality of the world.

In the old days, King Midas had looked long and hard in the forest for the companion of a wine-god, the wise Silenus, but had not found him. When Silenus finally fell into his hands, the king asked him: What is the best and most wonderful thing for people? This deity was dumbfounded and didn't say a word, and when King Midas forced him, he finally said this in a magnificent laugh: 'Wretch of the morning and the evening, son of changelessness and sorrow, why do you force me to say what you had better not hear? The absolute best thing in the world is something you can never get - that is, don't descend, don't exist, become nothing. But for you, the next best thing you still have time to find is - hurry up and die!' What a terrible story it is, and what can we see when we lift the mists that shroud the towering Olympus and expose its foundations to our eyes? We find ourselves confronted with the overwhelming fear of the violence of nature, the fate that reigns mercilessly over all knowledge, the eagle that torments Prometheus, the great lover of mankind, the terrible fate of the wise Oedipus, the plague of the Atreus family that drove Orestes to matricide. We see that behind the sacred solemnity of the Greek gods lurks, in fact, none other than the terrifying Titans. In order to be able to live, due to this urgent requirement, the sensitive Greeks had to create a dream world with which to counteract the horrible reality. It's like Apollo holding Medusa's head high, thus making all sorts of horrible monsters retreat. At the same time, comedy and, indeed, all kinds of art are this dream.

Dreams can be absurd, and they even have to be. Only the terrifying Medusa can scare off other scary monsters. So why are you stuck on Sancho being short and fat?"

"Joseph, you abomination." Armand said, "You guys are purely fooling people by your own learning. My head is spinning from you. While there seems to be some truth to what you're saying, the audience needs a beautiful dream, not a nightmare that scares them out of their wits. I don't think they would accept a tall, handsome Sancho like me."

"Indeed, Sancho's image and his intelligence create an interesting contrast, a contrast that elicits pleasure from the audience. It's true that there's no such contrast when you go straight up. But my friend, haven't you forgotten that there is one that, while it doesn't yet turn a Graeae (the three gray witches in Greek mythology who shared one eye and one tooth and were ugly to look at) into Helen, it does turn Helen into a Graeae." Joseph smiled.

"You're talking about makeup, right? But how can makeup change a person's appearance at best, and how can you take a tall person and make them into a short person?" Armand said suspiciously.

"How can it not work? There's never a shortage of solutions to problems in this world, only a shortage of smart heads who can think of them." Joseph said as he fumbled with a pencil and a piece of sketch paper filled with math problems from a nearby table.

"Look, let's make a ... the same way we make a whale blubber skirt." Joseph said as he drew on the manuscript paper.

"This is ..." Armand's eyes widened, "Huh, that seems like it would work really well, but it's just too tiring for an actor to act that out."

"It's a little difficult, but it's hard to find midgets who can act. But actors who can act and suffer can be easy to find can't they?" Joseph gave Armand a look and said, "Of course, a guy like you who loves art but lacks the spirit to sacrifice for it certainly can't suffer like this. Besides, it would have the advantage that when the play was over, and the actors came up to the stage for the curtain call, the actor who played the dwarf suddenly stood up straight, and the effect must have been very amusing."

"Hehe, hehe ..." Armand laughed while storing the piece of paper Joseph drew in his pocket, "Joseph, you should apply for a patent in England for this design. But there's no point in applying, because France doesn't recognize British patents, and there's no legislation on patents in France."

"So England is superior to France in technological invention." Joseph replied.

...

Two more days passed after this conversation. Armand ran to Joseph and said again:

"Joseph, that was a good idea you had last time. Especially the one at the end of the curtain call, when there was a lot of laughter down there. It works so well. I think Joseph you could still be a screenwriter. You know, those plays of the Greeks, the Romans, while they were good, a lot of them were too old and not really suited to today's stage. And the more recent ones from the Renaissance era, too. In addition, even the works of modern literary figures are often so imitative of the ancients that they cannot really be performed on the stage without modification. So many theater troupes need a screenwriter. Most of these writers came from the ranks of ordinary actors who knew the stage well, but had a very low level of knowledge of the art. So many theater troupes, in addition to having a writer who is an actor by trade, will go out and find a writer who has enough taste in the arts for them to collaborate with each other. Like that 'Dragon and Rose' theater troupe that performed 'The Island Governor' last time, they'd like to hire one of those writers nowadays. Also, many artists get their start in this position. Originally, they offered me to come and work for them as a screenwriter. But, you know, I'm busy, and it's just the time of year you need the money. It's just that Joseph, my friend, do you have the energy, the time to do this work now?"

"Ah, thank you so much, my friend." Joseph said gratefully, "As for energy and time, my friend, these two things, like water inside a sponge, can always be squeezed out a little with a hard squeeze."

"Joseph, you know what? One of the fun things about talking to you is that there are always some extraordinarily philosophical things to hear from you. You're actually a very interesting guy, and if you didn't intentionally act like a clergyman, you'd be a hit with the girls. Of course, it may still be a little worse than me, but it's certainly better than Lucien. You see, Lucien already has a mistress."

"Lucien has a mistress too?" The news had taken Joseph by surprise, for while Lucien's family was quite a bit richer, he had very little money at his disposal that he could move, and his father wouldn't have supported him in keeping a mistress by any stretch of the imagination.

"Of course." Armand said with a frown, "Just now I met Lucien's new coat and hat, and his shiny new shoes, wrapped up within him, near the church of St. Genevieve, with a bouquet of flowers in his hand, and so woodsy that he didn't even hear me when I said hello to him. I saw that apprehensive yet expectant look on his face, both like he was going to a thesis defense and like a general preparing to head off to war. Ah, that look is familiar to me - because I've seen it so much. I have given this state a biological name, 'estrus'. Well, that's what Lucien is stuck in today. I'm sure he's got a little mistress. There's absolutely nothing wrong with that!"

"By the sound of that, you're not sure?" Joseph said, "That's not like you. Did you not sneak up behind Lucien to see what sort of a girl it was that could charm him at once?"

"Of course I went along; I had thought the fellow would go into the little garden at the back of the church to have a rendezvous with his little mistress. At the time I thought, 'This kid really knows how to find a place.' I didn't realize he actually got into a public carriage over there and ..."

"And then you lost them didn't you?" Joseph laughed.

"That's right. But I'll be sure to find out what kind of gremlin could have charmed our Lucien like that. Hahaha ...," Armand laughed.

"Ah yes, the head of the Dragon and Rose troupe, Mr. Denardi would like to meet you sometime and buy you a cup of coffee. See when you can find the time."

"How about Sunday afternoon, I don't have much to do that afternoon." Joseph replied.

"Well, then, I'll go and make an appointment with Mr. Denardi. Uh, do you have any requirements for the location?"

"Whatever is in the right place." Joseph replied.