"As a result of significant alterations, it became evident that the title "Detective Beverly" was no longer fitting, and the film was ultimately named "Miao Tan."
The story unfolds against the backdrop of a highly capable Detroit police officer who possesses a unique trait: he doesn't adhere to his superior's orders. After successfully solving an ammunition case, instead of receiving a commendation, he's ordered to take a vacation.
He chooses to vacation in Los Angeles with his girlfriend, where he unexpectedly reunites with his high school classmates. Originally planning to meet the next day, tragedy strikes that night when his classmates are murdered. Determined to uncover the killer's identity, he embarks on a solo investigation due to the sluggishness of the Los Angeles police force.
While everyone treats him cordially, the setting is Beverly Hills, a place where gunfights are rare, and adherence to police regulations is the norm. The Detroit detective's unconventional methods, akin to a bull in a china shop, disrupt the tranquil police station.
His sudden presence, an African-American in a predominantly Caucasian environment, leads to humorous cultural clashes during greetings. However, it's important to note that this portrayal is done for comedic effect and doesn't tarnish the overall image of the Beverly Hills police force.
This approach serves to set up future sequels and ensures that the primary focus remains on humor rather than veering into a darker tone. Comedy, as a cinematic gimmick, aims to engage the audience without causing misconceptions. Eddie Murphy, a renowned star, is perfectly suited to this style of comedy, and there's no need for a change in directorship.
Climbing the ladder in Hollywood is no easy feat, and while there's no shortage of talented actors and comedians, Eddie Murphy's unique style shines. The crew, united under William White's guidance, maintains a fun and collaborative atmosphere. With a successful box office record, jealousy towards Eddie Murphy takes a back seat.
William White's strategy effectively aligns the crew's interests, motivating them to put forth their best effort. Eddie Murphy's energetic performance, though occasionally bordering on rambunctiousness, keeps everyone in stitches. Thanks to ample funding, the crew can indulge in numerous camera setups, enhancing the film's comedic impact.
The shooting scenes are a riot, promising an enjoyable movie experience. Confidence reigns among the crew, believing that a comedy as entertaining as this should surely excel at the box office.
One thing is certain: William White has a knack for comedy. His script and Eddie Murphy's performance form a winning combination. However, the true scene-stealer is Erhai, a character with a flair for the dramatic, both visually and in terms of destruction.
In the current state of Hollywood, smaller comedy productions are testing the waters, but their success is merely satisfactory. They've identified the script as the key factor, realizing that without a strong script, profits will remain modest. "Police School" is no easy act to follow, as its appeal can't be easily replicated.
Major studios recognize that comedy has always been a staple in mainstream cinema, dating back to the silent film era. Upon closer examination, they realize their own comedies often fall short in delivering genuine laughter.
The laughter in "Police School" stands out, contrasting with the merely amusing smiles in their comedies. Consequently, major studios face the daunting task of reworking their comedy scripts.
But how will audiences who've enjoyed "Police School" perceive these attempts?
Comedy?
Hardly. They lack the humor found in "Police School."
American audiences have a relatively low humor threshold, and William White, while not unleashing his full potential, manages to keep them entertained. What's the funniest aspect? It's those hearty, belly-laugh-inducing moments.
William White may have faced internet backlash in the future, but his current humor is a preliminary test with occasional misses. He's cautious about pushing boundaries too far, as times have changed, and being overly avant-garde might lead to unfavorable labels. Striking the right balance between comedy and propriety is crucial.
While artistic expression is welcomed, it shouldn't cross into indecency. Audiences aren't here for moral lessons, but neither should content be excessively vulgar. Parents value a wholesome and sunny image, as wallets are often in their hands.
However, it's important not to underestimate children's discernment. They've already been exposed to a chaotic world through movies. The debate over the movie's tone is part of a broader societal issue.
The world of private life is in disarray, especially for high school students, a web of intricate relationships. Such movies are considered juvenile.
Creating a relationship chart for high school students reveals a complex web denser than a spider's silk. Today's children are more experienced than their parents, making these movies seem outdated and unsophisticated."