Chereads / Rebirth of the American Tyrant / Chapter 69 - Chapter 70

Chapter 69 - Chapter 70

William White's foray into the world of comics is more than just a venture; it's a strategic move set to send shockwaves through the established comic giants. His ambitious plan involves acquiring iconic properties like Transformers and negotiating for toy authorization. Even Gundam, despite having its Mecha Warriors, is on his radar. This audacious approach doesn't stop there.

Beidou Shenquan and Saint Seiya, categorized as fighting series, are being reconsidered, with the former undergoing a transformation with a Western movie influence. William White's unconventional decisions reflect a certain shamelessness, challenging norms and setting the stage for a truly unique Comic Weekly.

This publication, expected to be laced with a level of violence that might ruffle feathers, is poised to cross the boundaries laid down by the Comics Code Authority (CCA). The inclusion of The Simpsons, a cartoon that has stood the test of time, adds another layer of audacity. Its decades-long run on television has made it a cultural touchstone, offering a snapshot of different eras.

In an era where footbath comics still tilt towards the American Emperor, William White takes a deviation, leaning towards the footbath style. This significant shift requires a substantial team, and recruiting such a team won't be a short-term endeavor.

Fortunately, time is on his side, and the somewhat deregulated CCA of the old beautiful nations indicates that underground comics are poised for a resurgence. This may cause a significant disruption in the comics market, but it's a risk William White is willing to take.

The historical pattern of prohibition leading to the rise of new industries, observed in Lao Mei, is evident here. The Comics Code, aimed at regulating comics, unintentionally fostered an underground comic culture. William White's Comic Weekly, with its divergence from both American and contemporary footbath styles, is positioned to break molds and, inevitably, stir controversy.

Yet, sales are not a source of concern for William White. He firmly believes that, in the world of comics, storytelling is paramount. If the narrative is compelling, other aspects become secondary.

The linguistic complexity of footbath culture, where writing is often intricate, contrasts sharply with their comics, known for onomatopoeia and simpler language. For William White, who needs to align with footbath style without compromising visual essence, this cultural divergence poses an intriguing challenge.

Global publishing and an assurance of minimal interference from Lao Mei's review make sales less of a worry. William White's comics have the potential to thrive as an industrial chain, a significant economic contributor.

Organizing his comics development plan involves grouping characters strategically. Those like Transformers and The Simpsons align more with the American style, while others find their strength in the footbath style. The sheer number of characters raises questions about potential plagiarism, prompting contemplation of a discussion with Stan Lee.

Addressing Forbes, he instructs the safekeeping of these folders – a pile of intellectual property representing his biggest capital from the traversal. With a sense of relief, William White acknowledges the significance of these folders, recognizing their importance for the sustained success of his ambitious comic endeavors.

The complexity of comic outlines adds another layer to the challenge. Incorporating background descriptions and characterizations, especially in footbath comics that deviate significantly from conventional norms, demands a delicate balance. William White's adaptation navigates these cultural nuances, aiming for a portrayal that appeals to adults without running afoul of the CCA or feminist organizations.

In an era where feminism is budding, any portrayal must navigate these sensitivities carefully. William White anticipates potential challenges and wisely structures his comics for a global audience, allowing him to sell abroad if the domestic market proves restrictive.

Comics stand as William White's long-term investment in shaping the future world. Regardless of external factors, he remains resolute in ensuring his comics venture remains undisturbed, offering a lucrative avenue for sustained income and a significant cultural impact.