In a surprising turn of events, Rowan Atkinson, still acting in London, receives an unexpected offer from Hollywood. Despite not being the protagonist, the enticing pay of two hundred thousand dollars and a 5% share of the North American box office dividends prove tempting.
Eager not to miss the opportunity, Atkinson and Eddie Murphy, both kings of comedy in this era, swiftly head to Los Angeles. Assembling a diverse group of actors, many of whom are Hollywood hopefuls working odd jobs, William White embarks on directing and producing his movie.
The efficient Hollywood system, with its abundance of prop companies and service-oriented businesses, aids White's crew in acquiring the necessary equipment swiftly. With a detailed script in hand, even the supporting roles have a chance to shine, a stark contrast to the typical treatment of extras in Hollywood.
Despite Paramount's disdain for White Films, the crew presses on, propelled by the passion and commitment of its members. The movie, a satire on U.S. imperialism's ethnic minority policies, features a diverse cast of actors from African, Chinese, and Latino backgrounds, presented in a humorous and non-offensive manner.
While the filming progresses smoothly, the focus shifts to the possibility of the movie's release. Eddie Murphy, eager for recognition, inquires about the release plans. William White, having not yet considered this aspect, contemplates the challenges of securing theater lines. In a surprising twist, he contemplates the acquisition of one or two theater lines, considering the current state of the market and the difficulties faced by theater dealers.
This narrative captures the essence of William White's unconventional approach to filmmaking, blending humor, social commentary, and industry insights. The script offers a glimpse into the challenges faced by a small production company in Hollywood while highlighting the potential for success through creativity and determination.