This time, the footsteps were a live practice. He wanted to display his Dao through the sound of his steps, and those who could not comprehend it as well as he did would be struck by the Great Dao and injured.
But this move had its limits; it wouldn't affect those whose understanding of the Dao was too shallow.
Because they couldn't sense Zhang Chi's Dao, they wouldn't be impacted.
And the worse one's comprehension, the longer they would be affected by the move.
In essence, this move was strong against the strong, with an upper limit, and weak against the weak, with no lower limit.
Zhang Chi's painstakingly researched divine technique seemed a bit useless now.
However, powerful techniques couldn't be developed in a single day; they required continuous improvement. By now, Zhang Chi had made significant progress, being able to use sounds other than musical instruments to cast his Dao techniques.
And this move, when used for showing off, was just perfect.
