A sleek black Cadillac SLS smoothly glided through the gates of the Los Angeles Country Club, finding its place alongside the roadside adorned with blooming flowers.
The camera's focus shifted to the driver's seat, unveiling Martin, impeccably dressed, as he emerged from the luxurious vehicle. Against the opulent backdrop of the car and the club, his aura of success was undeniable.
Overseeing the action from behind the monitor, Director Joseph remarked, "Kah, that one's a perfect take."
A skilled driver expertly maneuvered the car to the club's entrance, while the crew readied themselves at the door, poised for filming.
Martin made a quick trip to the trailer for a wardrobe change and returned, not just for video shoots but also print advertisements.
Cadillac, despite its status as a luxury American car brand, aimed to keep up with the Super Bowl commercial in early February. This led to the prioritization of this shoot to elevate its high-end image. The commercial featuring Martin and Che would be showcased during the US Spring Festival Gala, promising significant publicity for Martin.
With a hefty endorsement fee of $10 million from Cadillac, Martin enthusiastically cooperated, wearing a range of outfits as per the photographer's instructions, punctuated by quick makeup touch-ups.
The Cadillac SLS stood regally in front of the club. Martin, armed with a key, entered the clubhouse foyer.
Director Joseph issued a reminder, "Keep a close watch on the lens and the key."
Martin raised the key, signaling the crew. Joseph's approval prompted the cameras to roll once more.
Exiting the club, Martin unveiled the key, pressing it against the car, causing the car's lights to flash. A close-up shot captured this moment.
Joseph called out, "One more take, please."
Martin, driven by professionalism and his earnings, reenacted the scene eight times consecutively.
Around 4:30 in the afternoon, all the advertising shots and promotional images were in the bag. Martin removed his makeup, changed clothes, and hopped into a Cadillac SLS, steering it towards Burbank.
Among the several new cars provided by Cadillac, one was earmarked for Martin's personal use. It could also serve as a gift for family and friends.
Agent Thomas awaited in the car. Martin handed him a car key, saying, "The car is at the Cadillac dealership. You can pick it up."
Thomas, taken aback, inquired, "Is this car for me?"
Martin confirmed, "You played a crucial role in securing the endorsement deal. You deserve one too."
This gesture, alongside the agent's commission, warmed Thomas's heart. In a world where many celebrities became difficult to work with after gaining fame, Martin proved to be a rare and appreciative client.
Thomas accepted the car key, and Bruce also had one allocated specifically for him. Martin had even arranged for a car to be kept for Mene, who was currently abroad for a film shoot and wouldn't return to Los Angeles anytime soon.
Checking his watch, Thomas informed, "The preview is starting."
Today marked the preview of "Limitless" for theater managers and media. Due to his prior commitment to the Cadillac commercial, Martin could only attend the evening's reception party.
Upon entering Burbank, Bruce navigated to the Burbank hotel. Martin opened the insulated box that came with the car and retrieved a box of pizza. He opened it, placing it on the back seat's armrest. Taking a slice, he said, "It's getting late for dinner, and there's bound to be drinking at the party. Let's eat a bit first, so we don't drink on an empty stomach."
Thomas agreed, "You're quite considerate," as he also enjoyed a slice.
Martin savored his pizza, washed it down with mineral water, spritzed some breath freshener, and adjusted his attire in front of the mirror. When dealing with discerning critics, every detail mattered. Some critics could be unforgiving, and Martin needed their support in this critical phase of his career.
The car pulled up at the hotel's entrance. Martin and Thomas exited and immediately spotted Louise in the hotel lobby.
She wore a women's suit and black-rimmed glasses and greeted Martin with a gentle wave.
Martin approached her and inquired, "How was the test screening?"
Louise, knowing the gravity of the matter, gave a serious response, "The response was excellent."
She linked her arm with Martin's and suggested, "Let's head to the banquet hall. We can chat as we walk."
Martin strolled towards the elevator. Louise shared, "Out of the 38 reporters who attended the test screening, the average score they gave was 84. The scores from theater managers were even better, averaging 94. However, their scores aren't solely based on the film's quality but also on market considerations, especially regarding the theater's support during distribution negotiations."
She elaborated on the unpredictable nature of the film industry, where quality doesn't always guarantee success.
Martin followed up, "And what about the fans?"
Louise's response filled him with delight, "They rated it A+."
Martin smiled, appreciating the positive news. As for the critics, he refrained from asking, and Louise didn't offer any comments on that matter.
Upon reaching the hotel banquet hall, Martin transitioned into socializing mode, mingling with media reporters and critics, occasionally raising a toast. He continued his tradition of showing great respect to the critics who participated in the test screenings, attentively listening to their insights and engaging in high-level discussions about art.
With the new year approaching, the Oscar nomination ballots had been distributed, and Martin recognized the importance of these critics in helping him maintain his momentum.
Taking the initiative, Martin sought out Kenneth Turan, the chief film critic of the Los Angeles Times.
Martin nodded in agreement, "Okay."
They found a secluded spot away from prying eyes, and Mockridge asked, "I've heard rumors of a conflict between you and Harvey Weinstein?"
Martin, of course, couldn't admit it and regarded Mockridge with a puzzled expression.
Mockridge continued vaguely, "I've gathered some information about Harvey and wanted to consult someone in the Hollywood industry to verify it."
Martin's initial thought was that the News of the World had uncovered something related to Ivan's leads. However, he was not inclined to trust a tabloid like News of the World, known more for sensationalism than reliability. He promptly responded, "I've only been in Hollywood for three years. My focus is entirely on my work. I lack the knowledge and qualifications."
Mockridge added, "You might not be well-acquainted with Harvey. He's known for his domineering nature, and those who've clashed with him before have faced retaliation without exception." Martin knew this all too well and replied, "No worries, Warner will mediate."
It dawned on Mockridge that Warner was involved in all of Martin's films, and he ceased pressing the issue, saying, "Best of luck."
Bruce approached from behind.
Martin cautioned, "Be careful in New York. News of the World has been operating there for years."
Bruce assured him, "Don't worry. I've upgraded our equipment. Those versatile reporters won't stand a chance."
Martin contemplated the term "versatile" for a moment, as it didn't seem to apply to the News of the World's reporters during his time as a journalist.
Two supermodels, Carolina and Angela, approached.
Martin recalled that he had invited Georgina Chapman to the premiere and, while greeting the supermodels, he asked Bruce for her whereabouts.
Bruce swiftly located Georgina.
Martin led the supermodels to her, saying, "Let me introduce you to a friend in the Los Angeles fashion scene."
Angela leaned in and asked Georgina in a hushed voice, "We won't have to play games, will we?"
Carolina, understanding the implication, smiled and replied, "Who wouldn't want to play with Martin? He's handsome, easy to get along with, and knows how to have fun."
Martin maintained a serious tone, "Let's be professional."
As Georgina approached, Angela and Carolina transformed into the standard supermodel personas.
Martin introduced both parties. Georgina recognized Angela and Carolina, but the supermodels did not recognize her.
After some polite exchanges, Martin quickly steered the conversation toward fashion and clothing.
With him acting as the mediator, the two groups swiftly familiarized themselves and exchanged contact information.
Georgina gave Martin a grateful look, filled with meaning.
Martin smiled but said no more, making a quick exit.
On one hand, he was detached from what might unfold next.
On the other hand, he spotted his old friend Mene accompanying a middle-aged, strong woman into the lounge.
Mene saw Martin for the first time and approached with Emma Thomas in tow, introducing her, "Hi, Martin, let me introduce a friend to you."
This was the first time Martin had met Emma Thomas in person. She appeared much as he had remembered her. In comparison to other Hollywood directors' wives or girlfriends, Emma Thomas was on the plump side.
In his memory, she was still married to Nolan, which was somewhat unusual in Hollywood.
Mene clearly had a good rapport with Emma and introduced, "Martin, meet Emma Thomas, a renowned female producer."
Martin shook her hand and humorously remarked, "We almost tied the knot last time. Perhaps we'll collaborate soon."
Due to Mene's influence, Emma had a favorable impression of Martin and responded with a smile, "I believe there will be opportunities in the future."
Emma Thomas had only briefly crossed paths with Martin and soon moved to another part of the room with Mene.
Georgina had an engaging conversation with Angela and Carolina. When the lounge guests headed to the screening hall, the three of them decided not to join and instead continued their conversation.
Martin walked ahead, and outside, Mene awaited him.
"Boss, I've received confirmed information that Jonathan Nolan has completed the script for the sequel to the new Batman film," Mene reported, having recently acquired a wealth of knowledge through his interactions with Emma Thomas. "It's expected the script will be submitted to Emma Thomas next month, and Warner Bros."
Martin slowed his pace and asked as they walked, "Is Bale set to reprise his role?"
Mene explained, "Warner Bros. has discussed this with Emma. Given the past failures of Batman movies when changing the lead actor, especially after the George Clooney incident with Batman & Robin, they've insisted that Bale must be the star."
Martin nodded in understanding, well aware of the consequences of altering the lead actor in a sequel. Batman Forever's replacement of Michael Keaton resulted in a drop in quality and fan dissatisfaction. When it came to Batman & Robin, with George Clooney in the lead role, it was a complete disaster.
Warner Bros. had a tradition of preserving the mystery surrounding DC adaptations.