Kai and Zal dragon start working on the Republic of Padokea exhibition. They are busy working on the design and features of the Republic of Padokea exhibition, which is centered around the realistic painting of the Padoka as the main display. The painting is a masterpiece of realism and color, depicting the mythical creature in its full glory. The Padoka is a symbol of Padokea's pride, strength and beauty, and is revered by its people. They want to make sure that the exhibition reflects the same qualities and impresses the visitors.
They spread out the items that Kai collected from different locations in Padokea on a large table and start sorting them out according to their authenticity, history and importance. They use Zal dragon's nen ability to scan the items and find out their background and value. Zal dragon's eyes glow as he examines each item with his keen intelligence and intuition. He tells Kai which items are genuine, which are fake and which are strange. They toss away the fake and strange items that have no connection to Padokea's culture or history, leaving only the ones that have a story to tell.
Kai: "Wow, look at this painting. It's amazing. I can't believe someone actually saw the Padoka and painted it."
Zal dragon: "It is indeed a rare and precious piece of art. The artist must have been very lucky and skilled."
Kai: "I wonder who he was. Maybe he was a hunter like me, or a traveler, or a scholar."
Zal dragon: "Maybe we can find out more about him from the other items. Let's start sorting them out."
Kai: "Good idea. You use your nen ability to scan them and I'll listen to your findings."
Zal dragon: "Alright. Let's begin. This item here is a carved stone tablet with ancient runes. It tells the legend of how the Padoka was born from the fire of the mountains. It is very old and valuable."
Kai: "Really? That sounds interesting. Let's keep it. How about this one? It looks like a crystal necklace."
Zal dragon: "This is a fake. It is made of glass and has no history or meaning. It is worthless."
Kai: "A fake? How disappointing. Let's throw it away then. And this one? It looks like a wooden flute."
Zal dragon: "This is a genuine and important item. It can imitate the sound of various animals and birds in the forest, including the Padoka's call. It belonged to a famous musician who traveled across Padokea and entertained the people with his music."
Kai: "Wow, that's impressive. Let's keep it too. Maybe we can play it later and hear the Padoka's call."
Zal dragon: "Maybe we can. Let's finish sorting out the rest of the items."
Kai: "What about this one? It looks like a bronze statue of a man."
Zal dragon: "This is a real and significant item. It is a statue of a hero who defended Padokea from invaders with his martial arts skills and nen abilities. He was admired and respected by the people of Padokea."
Kai: "Really? He sounds awesome. Let's keep it too. How about this one? It looks like a book."
Zal dragon: "This is a strange item. It is a book that contains nothing but blank pages. It has no history or value. It is useless."
Kai: "A strange item? How weird. Let's throw it away then. And this one? It looks like a painting of a city."
Zal dragon: "This is a genuine and relevant item. It is a painting of Padokea city, the capital and the largest city of Padokea. It shows the architecture, the culture and the people of Padokea. It is beautiful and informative."
Kai: "Wow, that's nice. Let's keep it too. Maybe we can learn more about Padokea city from it."
Zal dragon: "we still have more items to sort out. Let's not waste any time."
Kai: "Alright. What about this one? It looks like a coin."
Zal dragon: "This is a fake item. It is made of metal and has no history or value. It is worthless."
Kai: "A fake item? How lame. Let's throw it away then. And this one? It looks like a feather."
Zal dragon: "This is a real and precious item. It is a feather of the Padoka, the rare and symbolic animal of Padokea. It is said that whoever possesses a Padoka feather will have good luck and fortune."
Kai: "Really? That's amazing. Let's keep it too. Maybe we can use it as a lucky charm."
Zal dragon: "Maybe we can. But we should be careful not to lose it. It is very rare and valuable."
Kai: "Don't worry, I'll keep it safe. How about this one? It looks like a mask."
Zal dragon: "This is a genuine and important item. It is a mask that was used in the ceremonies and festivals of Padokea. It represents the spirit and the identity of Padokea. It is colorful and expressive."
Kai: "Wow, that's cool. Let's keep it too. Maybe we can wear it later and join the festivities of Padokea."
Zal dragon: "Let's finish sorting out the last few items. We are almost done."
Kai: "Okay, let's finish this. What about this one? It looks like a ring."
Zal dragon: "This is a real and significant item. It is a ring that belonged to a famous king of Padokea who ruled with wisdom and compassion. He was loved and respected by his people and his allies. He wore this ring as a symbol of his authority and his loyalty."
Kai: "Really? He sounds like a great king. Let's keep it too. How about this one? It looks like a flower."
Zal dragon: "This is a strange item. It is a flower that never wilts or dies. It has no history or value. It is useless."
Kai: "A strange item? How odd. Let's throw it away then. And this one? It looks like a scroll."
Zal dragon: "This is the last item. It is a genuine and relevant item. It is a scroll that contains the secrets and the techniques of the nen users of Padokea. It is ancient and powerful. It is priceless."
Kai: "Wow, that's incredible. Let's keep it too. Maybe we can learn more about the nen users of Padokea from it."
Zal dragon: "Maybe we can. But we should be careful not to reveal it to anyone else. It is very rare and valuable."
Kai: "Don't worry, I'll keep it secret. Well, we did it. We sorted out all the items that I collected from Padokea. We have some amazing items here."
Zal dragon: "We do indeed. We have some items that are genuine, some that are fake and some that are strange. But most importantly, we have some items that are important and relevant to Padokea's culture and history."
Kai: "Yes, we do. And now, we can start arranging them in the exhibition hall and make them look awesome. I'm sure the visitors will love them."
Zal dragon: "I'm sure they will too. Let's go then. We have a lot of work to do."
They divide the exhibition hall into four sections, each corresponding to a location: Padokea mountain range, Padokea lake, Padokea forest and Padokea city. They decorate each section with the items that best represent the diversity and richness of Padokea's natural and human environment.
They use different colors, textures, shapes and sizes to create a contrast and a harmony among the items. They also use some natural elements, such as rocks, water, plants and animals, to enhance the realism and the beauty of each section.
For each section, they select the most relevant and significant items that showcase the culture, history and nature of Padokea. They choose the items that have a story to tell, a meaning to convey and a beauty to admire.
They also choose the items that are rare, valuable and powerful, reflecting Padokea's pride, strength and glory. They arrange the items in a way that highlights their uniqueness and their connection to Padokea.
For the main display of the Padokea mountain range, they place a carved stone tablet with ancient runes that tells the legend of how the Padoka was born from the fire of the mountains. The stone tablet is large and heavy, with intricate and mysterious symbols engraved on its surface.
The runes glow with a faint red light, as if they contain the essence of the Padoka's flame. The legend tells of how the Padoka emerged from the volcanic eruption of the highest mountain in Padokea, and how it became the guardian and the symbol of Padokea. The stone tablet is a testament to Padokea's ancient and mystical origins.
For the main display of the Padokea Lake, they hang a crystal necklace that belonged to a famous queen of Padokea who ruled with wisdom and compassion. The crystal necklace is made of clear and sparkling crystals that reflect the light and the colors of the lake.
The crystals are shaped like water droplets, symbolizing the queen's purity and grace. The necklace was a gift from the king, who loved her dearly and respected her greatly. The queen was known for her kindness and generosity, and for her efforts to promote peace and harmony among the people of Padokea. The crystal necklace is a tribute to Padokea's noble and benevolent ruler.
For the main display of the Padokea Forest, they put a wooden flute that can imitate the sound of various animals and birds in the forest, including the Padoka's call. The wooden flute is made of a rare and sturdy wood that grows only in the deepest part of the forest. The wood has a dark and smooth texture, with some natural patterns and markings. The flute has several holes and a mouthpiece, which allow the player to produce different tones and melodies.
The flute belonged to a famous musician who traveled across Padokea and entertained the people with his music. He was able to mimic the sound of any creature in the forest, from the smallest insect to the largest beast. He was especially skilled at playing the Padoka's call, which was a high-pitched and melodious sound that filled the air with wonder and awe. The wooden flute is a demonstration of Padokea's musical and artistic talent.
For the main display of the Padokea City, they set up a bronze statue of a hero who defended Padokea from invaders with his martial arts skills and nen abilities. The bronze statue is a life-size and realistic representation of the hero, who stands in a confident and defiant pose.
He wears a simple and elegant outfit, with a cloak and a belt that bear the emblem of Padokea. He holds a sword in his right hand and a shield in his left hand, ready to fight and protect his homeland. He has a determined and courageous expression on his face, with a scar on his cheek that shows his bravery and experience.
He was a legendary warrior who fought against the enemies of Padokea with his exceptional skills and powers. He was admired and respected by the people of Padokea and his allies. He was a symbol of Padokea's spirit and identity. The bronze statue is an homage to Padokea's heroic and loyal defender.
They also add some information panels and labels to explain the origin and meaning of each item. They use Zal dragon's knowledge and research to provide accurate and interesting facts and stories about Padokea's history and culture. The information panels and labels are written in a clear and concise language, with some illustrations and diagrams to make them more appealing and understandable.
They use Zal dragon's nen ability to project some holograms of the items, showing them in different angles and perspectives. They also include some audio recordings of the items, such as the Padoka's call, the flute's music and the legend's narration. They also create some quizzes and games for the visitors, testing their knowledge and curiosity about Padokea. They make the exhibition informative and interactive, aiming to educate and entertain the visitors.
They make sure that the items are displayed in a way that complements the main display and creates a coherent and captivating narrative of Padokea. They use lighting, color, space and design to highlight the beauty and significance of each item.
They use bright and warm colors for the items that represent the fire and the spirit of Padokea, such as the Padoka painting, the stone tablet and the bronze statue. They use cool and calm colors for the items that represent the water and the grace of Padokea, such as the crystal necklace, the lake painting and the feather. They use natural and earthy colors for the items that represent the forest and the nature of Padokea, such as the wooden flute, the forest painting and the mask. They use spacious and elegant spaces for the items that represent the city and the culture of Padokea, such as the book, the city painting and the ring.
They also arrange them in a logical order, following a chronological or thematic sequence. They start with the items that show the origins and the legends of Padokea, then move on to the items that show the rulers and the heroes of Padokea, then end with the items that show the arts and the crafts of Padokea. They create a visual and verbal story of Padokea, aiming to inspire and fascinate the visitors.
They work on the exhibition for six days, putting their heart and soul into every detail and aspect of the exhibition. They work tirelessly and diligently, checking and double-checking if everything is perfect and okay. They make sure that every item is authentic, relevant and beautiful, that every information panel and label is accurate, interesting and clear, that every hologram, audio recording and quiz is functional, engaging and fun.
They also make sure that the exhibition hall is clean, organized and inviting, that the lighting, color, space and design are harmonious and attractive, that the narrative of Padokea is coherent and captivating. They work on the exhibition until they are satisfied and proud of their work.
They repeat the same process for the other exhibitions, such as the Kukan'yu Kingdom, Meteor City, Kingdom of Loria, Empire of Raxus and Lost City of Zal exhibition, following Kai's vision and Zal dragon's research. They collect, sort, arrange and decorate the items for each exhibition, showcasing the different countries and cultures that Kai has visited and explored. They also choose a main display for each exhibition, a unique and impressive item that represents the essence and the identity of each country and culture.
From the Kukan'yu Kingdom, he chose a crown of a king, who had ruled over the kingdom for a long time. It was made of gold and adorned with jewels and feathers. It was a symbol of the kingdom's power and wealth.
For the main display of Meteor City, he chose a relic of an ancient civilization that once lived in the city before the meteorite crashed. It was a golden mask that covered the entire face and had intricate and mysterious patterns on it. It was a symbol of the city's history and mystery.
From the Kingdom of Loria, he chose a nen device of a scientist, who had worked in the kingdom for a long time. It was made of metal and nen and had a spherical shape. It was a symbol of the kingdom's science and technology. It was also a device that could perform various functions, such as scanning, projecting, transforming, and teleporting, depending on the user's nen type and command. It was a device that combined nen and technology in a remarkable way.
From the Empire of Raxus, he chose a sword of a general, who had led the empire's wars for a long time. It was made of steel and nen and had a straight blade and a pointed tip. It was a symbol of the empire's strength and aggression. It was also a sword that had a deadly ability, which allowed it to create shockwaves and explosions with each swing, depending on the user's nen output and intention. It was a sword that had claimed many lives and victories in battle.
From the Lost City of Zal, he chose to display two items which are a book of knowledge of an ancient civilization that had mastered the art of nen and had created wonders and miracles with it. It was made of leather and paper and had runes and diagrams on its pages. It was a symbol of the city's wisdom and secrets. The other item is the statue of the Zal angel who the most revered and mysterious figure in the history of Zal. She was said to be a messenger of the gods, who came to Zal to bring blessings and miracles. She was also the lover of the first king, and the mother of the royal bloodline. She disappeared one day, leaving behind only this statue as a gift and a reminder of her love.
They also add some information panels and labels explaining each display, some holograms, audio recordings and quizzes, some lighting, color, space and design for each exhibition, making them informative and interactive, harmonious and attractive, coherent and captivating.
They use the information panels and labels to explain the origin and meaning of each display, using Zal dragon's knowledge and research to provide accurate and interesting facts and stories. They use the holograms to project realistic and detailed images of the displays, showing them in different angles and perspectives.
They use the quizzes to test the visitors' knowledge and curiosity about each country and culture, offering them rewards and challenges. They use the lighting to create different moods and atmospheres for each exhibition
They worked hard for about two and a half months to finish all of the exhibitions, putting their heart and soul into every detail and aspect of the collection. They worked tirelessly and diligently, checking and double-checking if everything was perfect and okay.
They made sure that every display was authentic, relevant and beautiful, that every information panel and label was accurate, interesting and clear, that every hologram, audio recording and quiz was functional, engaging and fun. They also made sure that the exhibition hall was clean, organized and inviting, that the lighting, color, space and design were harmonious and attractive, that the narrative of each country and culture was coherent and captivating.
They create a unique and impressive collection that showcases Kai's passion and talent for hunting and collecting rare and valuable items from different countries and cultures. They create a collection that reflects Kai's adventurous and curious spirit, his keen and discerning eye, his skillful and daring hands.
They create a collection that reveals the diversity and richness of the world, the beauty and wonder of nature, the history and mystery of civilization. They create a collection that inspires and fascinates the visitors.
However, as they worked on the collection, they realized that they had a problem. They had too many items and not enough space. The exhibition hall was becoming crowded and cramped, making it hard to display the items properly and comfortably. They needed a bigger area to accommodate the current and future exhibitions. They decided to talk to Silva, Kai and Killua's father, about this issue, hoping to find a solution.
Kai: "Dad, we need to talk to you about something."
Silva: "What is it?"
Kai: "It's about the collection. We have a problem."
Silva: "A problem? What kind of problem?"
Kai: "We have too many items and not enough space. The exhibition hall is becoming crowded and cramped. We can't display the items properly and comfortably."
Silva: "I see. That is a problem indeed. How did this happen?"
Kai: "Well, you know how I love hunting and collecting rare and valuable items from different countries and cultures. I can't help myself. I always want to find more and more items for the collection."
Silva: "I know, I know. You have a passion and a talent for it. And I admire you for it. But you also have to be realistic and practical. You can't keep collecting items without considering the space limitations."
Kai: "I know. But I can't stop either. There are so many amazing items out there that I want to see and have. And I want to share them with the world too."
Silva: "I understand. But you have to find a balance between your passion and your reality. You have to find a way to display the items in a way that is respectful and enjoyable for both the items and the visitors."
Zal dragon: "That's why we came to talk to you. We have an idea for a solution."
Silva: "You do? What is it?"
Zal dragon: "We think it's a better idea to just buy a land close to the mansion and build a large museum to put the current and future exhibitions."
Silva: "A museum? That's a big project."
Zal dragon: "It is. But it's also a worthwhile project. It would solve the space problem, as well as provide many benefits for the collection."
Silva: "Such as?"
Zal dragon: "It would allow us to display the items in a more spacious and comfortable way, giving them more room to breathe and shine. Organize the items in a more logical and coherent way, following a chronological or thematic sequence. Add more features and elements to the exhibitions, such as audio guides, interactive maps, virtual tours, etc. Attract more visitors and customers, increasing our popularity and revenue. Expand our collection in the future, adding more items from different countries and cultures. Lastly, create a legacy for Kai's passion and talent, making him known as one of the greatest hunters and collectors in the world."
Silva: "Wow, those are some impressive benefits indeed. You have thought this through very well."
Zal dragon: "Thank you. We have done our research and calculations. We have found some suitable lands for sale near the mansion. We have also contacted some architects and contractors who can design and build the museum according to our specifications and preferences. We have also prepared a budget and a timeline for the project. We have everything ready to go."
Silva: "I see. You have done a lot of work and preparation for this. I'm impressed."
Kai: "Thank you, Dad. We really appreciate your support and encouragement. So, what do you think? Do you agree with our idea? Do you think we should buy a land and build a museum for the collection?"
Silva: "Well, I have to admit, it's a very tempting idea. It would solve the space problem, as well as provide many benefits for the collection. It would also make you happy and fulfilled, which is very important to me. But it's also a very big and expensive project. It would require a lot of time, money and resources. It would also involve a lot of risks and challenges. It's not something that we can decide on a whim. We have to think about it carefully and weigh the pros and cons."
Kai: "I understand. It's a big decision indeed. But we have thought about it carefully and we believe that it's worth it. We believe that it's the best thing for the collection and for us. We are willing to take the risks and face the challenges. We are ready to make our dream come true."
Silva: "I can see that you are very passionate and determined about this. And I respect that. But I also have to be responsible and realistic about this. I have to consider the implications and consequences of this project for our family and our business. I have to make sure that we can afford it and sustain it. I have to make sure that we are not biting off more than we can chew."
Zal dragon: "We understand that, Silva. And we respect that too. We know that you are looking out for our best interests and our well-being. And we appreciate that very much. That's why we came to talk to you about this. We want to hear your opinion and your advice. We want to work with you on this project, not against you."
Silva: "Thank you, Zal dragon. And thank you, Kai. I appreciate your honesty and your sincerity. And I appreciate your trust and your cooperation. You are both very smart and talented, and I'm proud of you both. You have done a great job with the collection, and I'm sure you will do a great job with the museum too."
Kai: "Thank you, Dad. You are very kind and generous, and we love you very much."
Zal dragon: "Thank you, Silva. You are very wise and supportive, and we respect you very much."
Silva: "You're welcome, Kai. You're welcome, Zal dragon. You are both very sweet and lovely."
Kai: "So, does that mean you agree with our idea? Does that mean we can buy a land and build a museum for the collection?"
Silva: "Well, not so fast, Kai. I didn't say that yet."
Kai: "Oh."
Silva: "Before I give you my final answer, I need some time to think about it more thoroughly and carefully."
Kai: "Oh."
Silva: "Is that okay with you?"
Kai: "Well… yes, of course it is okay with us, Dad. We understand that you need some time to think about it more thoroughly and carefully. We want you to be comfortable and confident with your choice."
Zal dragon: "Yes, that's right. We respect your decision-making process and your authority. We want you to be happy and satisfied with your choice."
Silva: "Thank you, Kai. Thank you, Zal dragon. I appreciate your understanding and your patience. You are both very mature and respectful."
Kai: "You're welcome, Dad."
Silva: "So, I will take some time to think about your idea and your proposal, and I will get back to you as soon as possible with my final answer. Is that okay with you?"
Kai: "Yes, that's okay with us, Dad. We trust you and we will wait for your answer."
Silva: "Thank you, Kai. You are very loyal and faithful."
Kai: "Thank you, Dad."
Silva: "Well then, I guess this is the end of our conversation for now. I will let you know my answer as soon as possible. Until then, take care and keep up the good work with the collection."
Silva then got up from the couch and headed towards the door, ready to leave the living room and go back to his office. But then he stopped and turned around, remembering to add something.
Silva: "Oh, and one more thing. I will also update you on the decision and the most suitable land close to the mansion that we can buy for the museum. I will make sure that it won't interrupt the peace and quiet in the area while also having a large flow of visitors. I will also make sure that it is within our budget and our timeline."
Kai: "Thank you, Dad. That would be very helpful."
Silva: "You're welcome, Kai and and don't worry about the security of the museum. We have the people working for Zoldyck who can protect it from any threats or dangers. We also have the twenty five children that Kai found and trained in meteor city to be sent at the Zoldyck Mansion. They have matured and experienced, and they can help us with the museum too."
Kai: "Thank you, Dad. That's very reassuring and time flies so fast as I still remember them training in the meteor city back then."
Silva: "You're welcome, Kai. I'm glad that we have such a strong and reliable team to support us with this project."