In the streets of New York, a camera dolly zooms by, narrowly missing a galloping Cadillac, as the high-speed lens precisely captures the image of Martin controlling the car through the lowered window.
The Cadillac, not actually moving too fast, brakes to a stop, and a cameraman carrying a camera gets into the passenger seat of Martin's car.
Martin starts the car again, performing a dazzling array of driving maneuvers.
When the pursuing vehicles catch up, he pulls out a handgun from under his arm and fires at the cars behind him.
The car isn't very fast, so Martin finds it relatively easy to operate.
The pistol quickly runs out of bullets, and a car behind crashes and flips over.
Martin ejects the empty magazine with one hand, loads a new one, and continues driving and shooting.
Chad's action shot style is different from that of Michael Bay and others.
The latter group uses a dense array of ultra-short cuts, creating a particularly sharp visual impact.
