It was a cool, clear night. The moon was full. Standing in my front yard, I could see it hanging over the sea like a light bulb – not a hundred watter, like the sun, but maybe one of those twenty-five dealies you put in those swivel-neck desk lamps. The Pacific, looking smooth as glass from this distance, was black, except for a narrow band of reflected light from the moon, which was white as paper.
I could see in the moonlight the red dome of the Mission's church. But just because I could see the Mission, didn't mean the Mission was nearby. It was a good two miles away. In my pocket were the keys to the Rambler, which I'd snitched a half hour earlier. The metal was warm from the heat of my body. The Rambler, which was turquoise in daylight, looked grey as it sat in the shadow of the driveway.
Hey, I know I don't have a license. But if Dopey can do it …
Okay. So I chickened out. Look, isn't it better I chose not to drive? I mean, not knowing how and all. Not that I don't know how. Of course I know how to drive. I just haven't had a whole lot of practice, having lived all my life in the public transportation capital of the world....
Oh, never mind. I turned around, and started heading for the garage. There had to be a bike around somewhere. Three boys, right? There had to be at least one bike.
I found one. It was a boy's bike, of course, with that stupid bar, and a really hard, really skinny seat. But it seemed to work all right. At least the tires weren't flat.
Then I thought, Okay, girl dressed in black, riding a bike on the streets after midnight, what do I need?
I didn't think I was going to find any reflective tape, but I thought maybe a bike helmet might do the trick. There was one hanging on a peg on the side of the garage. I put down the hood of my sweatshirt, and fastened the thing on. Oh, yeah. Stylish and safety conscious, that's me.
And then I was off, rolling down the driveway – okay, gravel is not the easiest stuff to ride a bike on, especially going downhill. And the whole way turned out to be downhill since the house, looking out over the bay, was perched on the side of this mountainy kind of thing. Going downhill was certainly better than going uphill – there was no way I was ever going to be able to ride back up this thing; I had a pretty good idea I'd be doing some pushing on my way home – but going downhill was pretty harrowing. I mean, the hill was so steep, the way so twisty, and the night air so cold, that I rode with my heart in my throat practically the whole time, tears streaming down the sides of my cheeks because of the wind. And those potholes –
God! Did that stupid seat hurt when I hit a pothole.
But the hill wasn't the worst of it. When I got down the hill I hit an intersection. This was much scarier than the hill because even though it was after midnight, there were cars there. One of them honked at me. But it wasn't my fault. I was going so fast, because of the hill and all, that if I'd stopped I'd probably have gone right over the handlebars. So I kept on going, narrowly avoiding getting hit by a pickup, and then, I don't know how, I was pulling into the school parking lot.
The Mission looked a lot different at night than it did during the day. For one thing, during the day the parking lot was always full, packed with cars belonging to teachers, students, and tourists visiting the church. The lot was empty now, not a single car, and so quiet that you could hear, way off in the distance, the sound of waves hitting Carmel Beach.
The other thing was that, for tourist reasons, I guess, they had set up these spotlights to shine on certain parts of the building, like the dome – it was all lit up – and the front of the church, with its huge arched entranceway. The back of the building, where I pulled up, was pretty dark. Which suited me fine actually. I hid the bike behind a dumpster, leaving the helmet dangling from one of the handles, and went up to a window. The Mission was built like a bizillion years ago, back when they didn't have air conditioning or central heating, so to keep cool in summer and warm in winter, people built their houses really thick. That meant that all the windows in the Mission were set back about a foot into the adobe, with another foot sticking out into the room behind them.
I climbed up onto one of these built-in window seats, looking around first to make sure no one saw me. But there wasn't anybody around except a couple of raccoons who were rooting around the dumpster for some of the lunch leftovers. Then I cupped my hands over my face, to cut out the light of the moon, and peered inside.
It was Mr. Walden's classroom. With the moonlight flooding into it, I could see his handwriting on the chalkboard, and the big poster of Bob Dylan, his favorite poet, on the wall.
It only took me a second to punch out the glass in one of the old-fashioned iron panes, reach in, and unlatch the window. The hard part about breaking a window isn't the breaking part, or even the reaching in part. It's getting your hand out again that always causes cuts. I had on my best ghost-busting gloves, thick black ones with rubbery stuff on the knuckles, but I've had my sleeve get caught before, and gotten my arm all scratched up.
That didn't happen this time. Plus, the window opened out, instead of up, swinging forward just enough to let a girl like me inside. Occasionally, I've broken in to places that turned out to have alarms – resulting in an uncomfortable ride for me in the back of a car belonging to one of New York's finest – but the Mission hadn't gotten that high-tech with their security system yet. In fact, their security system seemed to consist of locking the doors and windows, and hoping for the best.
Which certainly suited me fine.
Once I was inside Mr. Walden's room, I closed the window behind me. No sense alerting anybody who might happen to be manning the perimeter – as if. It was easy to maneuver between the desks, since the moon was so bright. And once I got the door open and stepped out into the breezeway, I found I didn't need my flashlight, either. The courtyard was flooded with light. I guess the Mission must stay open pretty late for the tourists because there were these big yellow floodlights hidden in the breezeway's eaves, and pointed at various objects of interest: the tallest of the palm trees, the one with the biggest hibiscus bush at its base; the fountain, which was on even though the place was closed; and of course the statue of Father Serra, with one light shining on his bronze head and another on the heads of the Native American women at his feet.
Geesh. It was a good thing Father Serra was good and dead. I had a feeling that statue would have completely embarrassed him.
The breezeway was empty, as was the courtyard. No one was around. All I could hear was the gentle splash of the water in the fountain and the chirping of crickets hidden in the garden. It was a sort of restful place, actually, which was surprising. I mean, none of my other schools had ever struck me as restful. At least, this one did, until this hard voice behind me went, "What are you doing here?"