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Chapter 58 - Chapter 58. Life as Brilliant as Summer Flowers, Death as Serene as Autumn Leaves

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Chapter 58. Life as Brilliant as Summer Flowers, Death as Serene as Autumn Leaves

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"Jonathan Joestar's life has vanished into the oblivion of forgetfulness."

"It is a chapter of history that will never be known to the world, a covered-up past."

"His noble life will not be celebrated by the world, but his descendants will hear his story. At that time, the new life quietly growing within me will certainly hear his story."

"... No, we don't need to wait for that new life to be born; we already know now!"

Sakata Gintoki, with tears unknowingly dampening his cheeks, was no longer in the previous state of panic.

Though this was not because he no longer needed to worry about being held accountable by Pucci.

The so-called learning from the final episode of "Phantom Blood" was indeed a misunderstanding, a mere excuse to learn the golden spirit from Jonathan, and had nothing to do with him being a fan... well, just a little.

But, but...

Seeing JOJO in the end.

Even after losing the Ripple, having exhausted all his remaining life and strength.

He still stood, unsteady yet resolute, protecting Erina.

The impact of his indomitable spirit, contrary to his frail body.

It almost made Sakata Gintoki forget everything and immerse himself completely in this story.

In fact, compared to those who watched "Phantom Blood" because they liked the story and followed it eagerly.

As someone who watched "Phantom Blood" purely for work and found the story quite good, Sakata Gintoki did not, like other viewers, feel the sadness of seeing his favorite character die.

Instead, he felt the charm that JOJO's character displayed at the end.

Just like the story of "Romance of the Three Kingdoms," which dominated Japan for centuries, not only through Hokusai Katsushika's illustrations of Guan Yu but also through the enduring efforts of the "Anhui TV" company in producing new "Three Kingdoms" series for fifty years.

Even Japanese history borrowed the tale of "three visits to the cottage" and created a story of "Kinoshita Tokichiro's three invitations to Takenaka Hanbei."

Isn't it precisely because Zhuge Liang, Guan Yu, and their group of pure people fighting for their dreams, who strived with tenacity yet still could not withstand fate, either dying before their achievements or retreating from the tragic end of the Three Families becoming Jin, that struck a chord with the Japanese?

And then look at JOJO.

His great and magnificent life was portrayed in the first eight episodes.

Yet in the final ninth episode, with the most tragic ending, JOJO, who could no longer use Ripple, was mocked and belittled by undead he once defeated with a single punch, and ultimately died at the hands of the treacherous vampire DIO...

This is Bushido!

This is why.

Even though Akiyuki Shinbo and others initially rejected it in their hearts.

In the end, while reluctantly filming this segment, they found themselves increasingly proficient and enthusiastic, completing the scenes quickly without needing Pucci's supervision.

Having been steeped in the culture of "mono no aware".

Even if they don't say it, what they truly like is still such a story!

Therefore, originally just aware of the controversy over Zeppeli's death.

They realized there was a work that chose to premiere early and seemed interesting, preparing to see if it was as remarkable as the online discussions.

After briefly reviewing other people's analyses of the earlier plot.

Knowing what the story was about.

When they watched the final episode...

Fruit Punch Samurai: "Life is as brilliant as summer flowers, and death is as serene as autumn leaves... Although I previously thought this poem was beautifully written, I could never accurately describe how beautiful it was."

Fruit Punch Samurai: "But now, I finally understand! This beauty, like a person close by, yet only able to watch her with someone else... Ah! It's so cruel, and so beautiful!!"

Blue-haired Earrings: "Upstairs, you understand very well. Just mentioning, my range of interests is all-encompassing!"

Gohan and Kamehameha: "... Uh, I've already called the police. Is there anything more to say upstairs and upstairs again?"

Fruit Punch Samurai: "It's not upstairs or upstairs again, it's Katsura!"

"..."

Ahem, although the topic has drifted a bit, as mentioned above.

And with many new IDs starting to appear frequently in the "Phantom Blood" comment section and various 2CH boards.

A new trend is gradually emerging in this world and blowing in all directions!

So, this is how a hot-blooded work can be made?

Not a serious historical drama that follows historical accuracy, nor a serious literary work.

But a hot-blooded adventure story full of courage, friendship, effort, and victory... Can even such a work have the protagonist's death as its final outcome!?

For industry insiders who also watched this work and were deeply shocked by the final episode of "Phantom Blood" and its incredible discussion heat.

In this hot-blooded work, which has evolved from its peak years ago to the current decline and rigidity.

The arrival of "Phantom Blood" has caused more than just a fresh breeze.

It's practically a typhoon!

As long as "Phantom Blood" can survive safely, then those who have seen this new path, validated as both safe and reliable, will definitely quickly bring more "love" and "hope" filled hot-blooded stories to Japanese audiences!

Given the current discussion heat of "Phantom Blood."

It seems that this may not be far off...

While most people are full of discussion about the alternative ending of "Phantom Blood."

Those who truly loved "Phantom Blood," watching JOJO grow from the first episode and ultimately defeat the great demon DIO, captivated by JOJO's kindness and bravery.

They have finally snapped out of their gloom from the apocalyptic ending.

And then...

"JO↑----JO↓----!!"

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A/N:

Here I am again! I'm here to explain the concept of 'mono no aware.'

Simply put, it refers to the beauty found in things that are passing. It's about appreciating the beauty in fleeting moments and tragedies.