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Mahabharat : Great Epic of the Bharata Dynasty

🇮🇳harsh07
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Mahabharata, (Sanskrit: “Great Epic of the Bharata Dynasty”) one of the two Sanskrit epic poems of ancient India (the other being the Ramayana). The Mahabharata is an important source of information on the development of Hinduism between 400 BCE and 200 CE and is regarded by Hindus as both a text about dharma (Hindu moral law) and a history (itihasa, literally “that’s what happened”). Appearing in its present form about 400 CE, the Mahabharata consists of a mass of mythological and didactic material arranged around a central heroic narrative that tells of the struggle for sovereignty between two groups of cousins, the Kauravas (sons of Dhritarashtra, the descendant of Kuru) and the Pandavas (sons of Pandu). The poem is made up of almost 100,000 couplets—about seven times the length of the Iliad and the Odyssey combined—divided into 18 parvans, or sections, plus a supplement titled Harivamsha (“Genealogy of the God Hari”; i.e., of Vishnu). Although it is unlikely that any single person wrote the poem, its authorship is traditionally ascribed to the sage Vyasa, who appears in the work as the grandfather of the Kauravas and the Pandavas. The date and even the historical occurrence of the war that is the central event of the Mahabharata are much debated. The story begins when the blindness of Dhritarashtra, the elder of two princes, causes him to be passed over in favour of his brother Pandu as king on their father’s death. A curse prevents Pandu from fathering children, however, and his wife Kunti asks the gods to father children in Pandu’s name. As a result, the god Dharma fathers Yudhishtira, the Wind fathers Bhima, Indra fathers Arjuna, and the Ashvins (twins) father Nakula and Sahadeva (also twins; born to Pandu’s second wife, Madri). The enmity and jealousy that develops between the cousins forces the Pandavas to leave the kingdom when their father dies. During their exile the five jointly marry Draupadi (who is born out of a sacrificial fire and whom Arjuna wins by shooting an arrow through a row of targets) and meet their cousin Krishna, who remains their friend and companion thereafter. Although the Pandavas return to the kingdom, they are again exiled to the forest, this time for 12 years, when Yudhishthira loses everything in a game of dice with Duryodhana, the eldest of the Kauravas. The feud culminates in a series of great battles on the field of Kurukshetra (north of Delhi, in Haryana state). All the Kauravas are annihilated, and, on the victorious side, only the five Pandava brothers and Krishna survive. Krishna dies when a hunter, who mistakes him for a deer, shoots him in his one vulnerable spot—his foot—and the five brothers, along with Draupadi and a dog who joins them (Dharma, Yudhisththira’s father, in disguise), set out for Indra’s heaven. One by one they fall on the way, and Yudhisthira alone reaches the gate of heaven. After further tests of his faithfulness and constancy, he is finally reunited with his brothers and Draupadi, as well as with his enemies, the Kauravas, to enjoy perpetual bliss. The central plot constitutes little more than one fifth of the total work. The remainder of the poem addresses a wide range of myths and legends, including the romance of Damayanti and her husband Nala (who gambles away his kingdom just as Yudhishthira gambles away his) and the legend of Savitri, whose devotion to her dead husband persuades Yama, the god of death, to restore him to life. The poem also contains descriptions of places of pilgrimages. I'm not it's original creator i just want more people to read it across the world.
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Chapter 1 - 1. GANAPATI, THE SCRIBE

BHAGAVAN VYASA, the celebrated compiler of the Vedas, was the son of the great sage Parasara. It was he who gave to the world the divine epic of the Mahabharata. Having conceived the Mahabharata he thought of the means of giving the sacred story to the world. He meditated on Brahma, the Creator, who manifested himself before him. Vyasa saluted him with bowed head and folded hands and prayed: "Lord, I have conceived an excellent work, but cannot think of one who can take it down to my dictation."

Brahma extolled Vyasa and said: "O sage, invoke Ganapati and beg him to be your amanuensis." Having said these words he disappeared. The sage Vyasa meditated on Ganapati who appeared before him. Vyasa received him with due respect and sought his aid. "Lord Ganapati, I shall dictate the story of the Mahabharata and I pray you to be graciously pleased to write it down."

Ganapati replied: "Very well. I shall do as you wish. But my pen must not stop while I am writing. So you must dictate without pause or hesitation. I can only write on this condition?"

Vyasa agreed, guarding himself, however, with a counter stipulation: "Be it so, but you must first grasp the meaning of what I dictate before you write it down."

Ganapati smiled and agreed to the condition. Then the sage began to sing the story of the Mahabharata. He would occasionally compose some complex stanzas which would make Ganapati pause a while to get at the meaning and Vyasa would avail himself of this interval to compose many stanzas in his mind. Thus the Mahabharata came to be written by Ganapati to the dictation of Vyasa. It was before the days of printing, when the memory of the learned was the sole repository of books. Vyasa first taught the great epic to his son, the sage Suka.

Later, he expounded it to many other disciples. Were it not so, the book might have been lost to future generations. Tradition has it that Narada told the story of the Mahabharata to the devas while Suka taught it to the Gandharvas, the Rakshasas and the Yakshas. It is well known that the virtuous and learned Vaisampayana, one of the chief disciples of Vyasa, revealed the epic for the benefit of humanity. Janamejaya, the son of the great King Parikshit, conducted a great sacrifice in the course of which Vaisampayana narrated the story at the request of the former. Afterwards, this story, as told by Vaisampayana, was recited by Suta in the forest of Naimisa to an assembly of sages under the lead of the Rishi Saunaka.

Suta addressed the assembly: "I had the good fortune to hear the story of the Mahabharata composed by Vyasa to teach humanity dharma and the other ends of life. I should like to narrate it to you." At these words the ascetics eagerly gathered round him.

Suta continued: "I heard the main story of the Mahabharata and the episodic tales contained therein told by Vaisampayana at the sacrifice conducted by King Janamejaya. Afterwards, I made an extensive pilgrimage to various sacred places and also visited the battlefield where the great battle described in the epic was fought. I have now come here to meet you all." He then proceeded to tell the whole story of the Mahabharata in the grand assembly. After the death of the great King Santanu, Chitrangada became King of Hastinapura and he was succeeded by Vichitravirya. The latter had two sons, Dhritarashtra and Pandu.

The elder of the two being born blind, Pandu, the younger brother, ascended the throne. In the course of his reign, Pandu committed a certain offence and had to resort to the forest with his two wives where he spent many years in penance. During their stay in the forest, the two wives of Pandu, Kunti and Madri gave birth to five sons who became well known as the five Pandavas. Pandu passed away while they were still living in the forest. The sages brought up the five Pandavas during their early years. When Yudhishthira, the eldest, attained the age of sixteen the rishis led them all back to Hastinapura and entrusted them to the old grandsire Bhishma.

In a short time the Pandavas gained mastery over the Vedas and the Vedanta as well as over the various arts, especially pertaining to the Kshatriyas. The Kauravas, the sons of the blind Dhritarashtra, became jealous of the Pandavas and tried to injure them in various ways. Finally Bhishma, the head of the family, intervened to bring about mutual understanding and peace between them. Accordingly the Pandavas and the Kauravas began to rule separately from their respective capitals, Indraprastha and Hastinapura.

Some time later, there was a game of dice between the Kauravas and the Pandavas according to the then prevailing Kshatriya code of honor. Sakuni, who played on behalf of the Kauravas, defeated Yudhishthira. As a result, the Pandavas had to be in exile for a period of thirteen years. They left the kingdom and went to the forest with their devoted wife Draupadi. According to the conditions of the game, the Pandavas spent twelve years in the forest and the thirteenth year incognito. When they returned and demanded of Duryodhana their paternal heritage, the latter, who had in the meanwhile usurped their kingdom, refused to return it. War followed as a consequence. The Pandavas defeated Duryodhana and regained their patrimony.

The Pandavas ruled the kingdom for thirty-six years. Afterwards, they transferred the crown to their grandson, Parikshit, and repaired to the forest with Draupadi, all clad humbly in barks of trees. This is the substance of the story of the Mahabharata. In this ancient and wonderful epic of our land there are many illustrative tales and sublime teachings, besides the narrative of the fortunes of the Pandavas. The Mahabharata is in fact a veritable ocean containing countless pearls and gems. It is, with the Ramayana, a living fountain of the ethics and culture of our Motherland.