In version 2.0, Chai Ke's identity as a terrorist remained unchanged.
In the end, he decided to retaliate against the world in a spectacular way, for him, the greatest success wasn't killing or defeating someone, but rather welcoming everyone into this new world with which they were unfamiliar.
"In my view, if you're to measure a villain in a series of films, the expectation for them shouldn't be limited to the extent of destruction they cause, but also the impact they have on the protagonist."
Films differ from reality; in the virtual world, people can always endow any dark and brutal story with a romanticized ending, and audiences know the moment they step into the cinema that, no matter what schemes the villain in the play concocts, they will ultimately be thwarted by the hero.
At least in the world of film, good triumphing over evil is artificially achieved.
