One of the biggest tonal outliers on this list, Susan Hill's The Woman in Black is crafted like a traditional gothic novel, and could likely fool readers into thinking that Hill is a few hundred years older than she truly is. Published in 1983, The Woman in Black is best known today for inspiring one of the longest-running plays in London's West End (and a Daniel Radcliffe movie). Structured in the classic British form of a story told around a fireplace, Hill's short '80s anachronism chills thanks to its ominous titular figure, who stalks a house on the foggy moors and foretells the death of children. The Woman in Black may not feel like a quintessentially '80s horror novel, but it's an excellent reminder that, even at the peak of its copycat boom period, the genre refused to be pigeonholed.
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One of the biggest tonal outliers on this list, Susan Hill’s The Woman
One of the biggest tonal outliers on this list, Susan Hill’s The Woman
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Synopsis
One of the biggest tonal outliers on this list, Susan Hill’s The Woman in Black is crafted like a traditional gothic novel, and could likely fool readers into thinking that Hill is a few hundred years older than she truly is. Published in 1983, The Woman in Black is best known today for inspiring one of the longest-running plays in London’s West End (and a Daniel Radcliffe movie). Structured in the classic British form of a story told around a fireplace, Hill’s short ‘80s anachronism chills thanks to its ominous titular figure, who stalks a house on the foggy moors and foretells the death of children. The Woman in Black may not feel like a quintessentially ‘80s horror novel, but it’s an excellent reminder that, even at the peak of its copycat boom period, the genre refused to be pigeonholed.