You've met nobles, certainly. You've listened to them bluster and declaim. They don't seem too different from the nobles you've always seen portrayed onstage. That's what the audience expects anyway. The critics might want something different, fresher, more real. But what they're going to get is nobles who sound, according to theatrical tradition, noble.
The play is coming together, but there's still one speech by a heroic guard that you can't seem to get right. Crumpled pages litter the floor of your room, which is becoming the place where ideas go to die. If you could just hammer out this one soliloquy, you'd have an actual draft worth showing Matty.
There's only one question, you decide: