"Actually, painting is just an impromptu form of copying, but because everyone's way of expressing is different, that's why there are differences. Take 'The School of Athens' for example, the entire background and composition is like a stage space; facing this painting is like being in the theater itself. Raphael used the perspective technique to present the depth of three-dimensional space in two dimensions, making Plato and Aristotle the characters in the center of the play. With them at the core, the exciting debate unfolds to both wings and the foreground, as though performing a play about the history of ancient Greek thought, the conflict between idealism and materialism..."
On the podium.
A middle-aged teacher imparted knowledge through Western masterpieces.
Luo Li'er, who usually listened very attentively, was distracted, looking out the window at the bright sky. The divine beauty of her youthful face was marred by distress, occasionally punctuated by a heavy sigh.
