the manga drawn by misuke doktani is not too much of a problem as usual.
in the comic, the brave man first shows his combat effectiveness, killing a few monsters at the beginning, so that the reader has a basic impression.
then the king heard the legend of the brave, learned that it seemed to be the blood of an ancient hero, and immediately announced the summons, and then the brave accepted the king's request to go to save the princess.
this is the nearly forty pages of the extended edition.
it can be seen that daigo ikeda is really fond of sansuke togitani, and for several years he can give a share of forty pages when the new work is launched.
overall, the story is very compact, and the reader will be attracted by the story when you look closely.
however, since it is a brave dragon fighting, it is the proper so-called wang daoman.
takeyuki doesn't know the technical terminology of those comics, but at least wang daoman and the like still understand it.
a royal comic should use excellent storyboarding and wonderful fights to attract readers, rather than a large text introduction like boiled water.
even if there is, it should not occupy too much space, which is takeyuki's own concept.
and the introduction of such a large paragraph of text makes this comic have a bit of a beautiful taste.
that's why takeyuki will look so awkward.
it is not that the style of american comics is not good, but since it is to watch japanese comics, then make psychological preparations in the style of japanese comics.
takeyuki picked up paper and pen casually, and then began to write and draw on them.
he's not a cartoonist, but it's probably okay to draw some familiar comic book battle scenes from his past life.
copy it.
anyway, all the cultural products in this world, such as games, comics, film and television dramas, are different from previous lives, and i don't have to worry about copyright problems when i copy them.
as a result, takeyuki simply sketched out the scene of the dragon ball fight that he remembered the most.
however, takeyuki's elementary school-level painting skills should not be calculated, and people can understand what is going on.
sansuke togitani, who was on the sidelines, didn't particularly care.
he just casually took a look.
however, as takeyuki finished drawing a page, he was slightly attracted by the fighting action.
it was a duel scene between xiao wukong and tianjin rice's world first martial arts conference.
this seemed a little outdated in takeshi's time.
but this fight scene just matches the size of the protagonist of dragon quest.
moreover, the painter of the two works was originally a person, and there was no problem in saying that the brave man was sun wukong of the parallel world.
on the paper, a somewhat ugly, and a little trembling character jumped high and collided with the enemy's fists and feet, and then the enemy swept his legs, flashed in the air, and then used the force to punch the enemy's jaw hard, bringing heavy damage.
the whole process is very tense, which is roughly a two-page fight scene.
in fact, by the time of dragon ball, the manga industry storyboarding system of yueben has gradually matured, and it is getting closer and closer to the storyboard system of movies, making the characters more vivid and more three-dimensional.
in this parallel world, it has actually developed to the same extent.
it's just that misuke totani himself hasn't developed in this direction.
"well... roughly like this, the brave man i imagined should be fighting with the enemy with a simple picture, rather than describing how to fight through words, if only in words, it is better to write a novel. "
it took more than half an hour for takeyuki to finish drawing two pages.
and in such a short period of time, the painting technique of this drawing is really not flattering.
the characters' images are trembling.
however, the character's every move can be understood very intuitively.
at this time, dotani sansuke no longer spoke, but stared silently at takeyuki's drawing.
it's only two pages, but it can contain a lot of content.
let the battle from its own dry beginning of the story instantly turn into a sinister and bloody battle scene.
unless his brain is funny, he will still feel that his level is more professional than that of zhu youxing.
"takeyu-san, you... have you never studied comics? "
"well, of course not, you see what i've been painting, i'm deliberately and seriously painting, i'm afraid you won't recognize what i'm painting."
takeyuki couldn't bear to look directly at the messy things he had drawn.
if you let him use the computer to make a few pixel-like images, it is no problem, and it can be done in minutes.
but as soon as it comes to such a field as painting, he will immediately become a small white one.
after all, in the past, the profession was not right, and it was not done this.
he is better at modeling than drawing.
he does not intend to deliberately learn this thing, let others do it, he is only responsible for appreciation.
in takeyuki's view, this is his true situation.
but in the eyes of misuke toya, this is humility.
will you draw or something, a little learning, you can have a foundation, and then seriously study for seven or eight years, painting into a personal portrait is absolutely no problem.
but there are some things that cannot be truly understood by casual learning.
sometimes something really depends on talent or luck.
the original version of one punch superman is bad enough, but because of the wonderful story, the painting skills are no longer important.
sometimes, a work with the same level of painting and story can rely on wonderful storyboarding to rise a great grade.
now, misuke tsutani's painting skills have been given, and the story takeyuki has also been given.
the two add up, which is basically the passing comic level.
if the storyboard is a little harder, it really can make the level rise a lot.
is this takeyo sang a comic book genius?
you have such a good talent, you can create excellent stories, you can also draw excellent storyboards,
as long as nu tries to get the painting skills done, i am afraid that in the comic book industry, i am afraid that i will not worry about eating and wearing at all.and bamboo star has no concept of this.
because all he has in mind is games.
caricature? there is no shortage of this world, and there is no sense of accomplishment in making it.
takeyuki felt that misuke dogitani was looking at him at this time.
isn't this guy supposed to have any special fetish?
takeyuki held the ground in his hand and subconsciously moved his ass to keep himself away from sansuke tsutani.
"takeyu-san, you are really talented, i am glad that you are not a cartoonist, and i regret that you are not a cartoonist."
misuke togitani sighed, and suddenly there was a sense of frustration.
he has worked hard for so many years, and he has always insisted on drawing comics entirely by love, but he can't resist the absolute talent.
takeyuki's simple storyboard was enough for him to study for a while.
he had not learned anything else before, but the other storyboards were all finished products, and takeyuki's was more like a deconstruction, thoroughly analyzing what was going on in the storyboard, making it easier for him to understand.
now he can follow this template to create many similar actions and then enrich them.
It seems that it is necessary for him to study the real comic art again, and he can no longer bury his head and build a car behind closed doors.
for the first time, sansuke togitani, who had been self-enclosed, had the idea of active learning.
"it seems that you can accept my suggestion."
takeyuki looked at misuke togitani's reaction and felt that it should be stable.
sansuke totani nodded vigorously, "of course, takeyu-san, your suggestion is really useful, i will try to revise it in this regard, as for what i drew before..."
misuke togitani looked at the pages he had already drawn with some pain.
but he still gritted his teeth and decided to abandon it completely, starting from the beginning, and in the second sentence, he wanted to present it to the reader with a new look.
takeyuki himself didn't expect much of a change to misuke togitani, he was just happy that his publicity plan could continue to be executed perfectly.
and then, basically waiting for the day of the official release, the rest of the preparations have been done.
i heard that it was the custom of worshipping gods before the release of works such as film and television anime, so why don't you go into the countryside and follow the customs?
but what should the god of games be?
Ps: Thanks for the support, bonus 2 chapters