It's a physical sickness. Étienne. How much I love him.
I love Étienne.
I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling.
I love that the accent over his first name is cal ed an acute accent and that he has a cute accent.
I love that.
I love sitting beside him in physics. Brushing against him during labs. His messy handwriting on our worksheets. I love handing him his backpack when
class is over because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange
an eye roll —I love that, too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes, and the way he bites his nails, and I love his hair so much I could die.
There's only one thing I don't love about him. Her.
If I didn't like El ie before, it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streetlamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further. His bedroom. He slips off her dress, their lips lock, their bodies press, and—oh my God—my temperature rises, and my stomach is sick.
I fantasize about their breakup. How he could hurt her, and she could hurt him, and all of the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape.
It turns out I am not a nice person.
Étienne and I rarely discussed her before, but she's completely taboo now. This tortures me, because since we've gotten back from winter break,
they seem to be having problems again. Like an obsessed stalker, I tell y the evenings he spends with me versus the evenings he spends with her. I'm
winning.
So why won't he give her up? Why why why?
It torments me until I cave until the pressure inside is so unbearable that I have to talk to someone or risk an explosion. I choose Meredith. The way I see it, she's probably obsessing over the situation as much as I am. We're in her bedroom, and she's helping me write an essay about my guinea pig for French
class. She's wearing soccer shorts with a cashmere sweater, and even though it's stilly-looking, it's endearingly Meredith-appropriate. She's also doing
crunches. For fun.
"Good, but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now."
"Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casual y bring up Étienne.
"Read it to me again. Ooo, and do your funny voice! That faux-French one you ordered café crème in the other day, at that new place with St. Clair."
My bad French accent wasn't on purpose, but I jump on the opening."You know, there's something, um, I've been wondering." I'm conscious of the
il ruminated sign above my head, flashing the obvious—I! LOVE! ÉTIENNE!—but push ahead anyway. "Why is he and El ie are still together? I mean they
hardly see each other anymore. Right?"
Mer pauses, mid-crunch, and . . . I'm caught. She knows I'm in love with him, too.
But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She
lowers herself slowly back to the floor. "But it's not that simple. They've been together forever. They're practical y an old married couple. And besides, they're both real y . . . cautious."
"Cautious?"
"Yeah. You know. St. Clair doesn't rock the boat. And El ie's the same way. It took her ages to choose a university, and then she still picked one that's
only a few neighborhoods away. I mean, Parsons is a prestigious school and everything, but she chose it because it was familiar. And now with St. Clair's mom, I think he's afraid to lose anyone else. Meanwhile, she's not gonna break up with him, not while his mom has cancer. Even if it isn't a healthy
relationship anymore."
I click the clicky button on top of my pen. Clickclickclickclick. "So you think they're unhappy?"
She sighs. "Not unhappy, but . . . not happy either. Happy enough, I guess. Does that make sense?"
And it does. Which I hate. Clickclickclickclick.
It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed, that I don't feel anything more for him than I feel for Josh. Who, the next day is ignoring our history lecture for the bil month class in a row. He has a graphic novel, Craig Thompson's Goodbye, Chunky Rice, hidden on his lap. Josh scrawls something into the sketchbook beneath it. He's taking notes, but not about the storming of the Bastille e.
Josh and Rashmi had another blowup at lunch. No one is worried about Étienne dropping out anymore, but Josh is ditching with an alarming frequency.
He's stopped doing homework altogether. And the more Rashmi pushes him, the more he pul s away.
Professeur Hansen paces the front of the classroom. He's a short man with thick glasses and wispy hair that flies out whenever he bangs our desks for
emphasis. He teaches the dirty parts of history and never makes us memorize dates. I can see why Étienne is interested in the subject when he's had a
a teacher like this for four years.
I wish I could stop bringing everything back to Étienne.
I look at the juniors surrounding me and discover I'm not the only one ravaged by hormones. Emily Middlestone bends over to pick up a dropped
eraser and Mike Reynard leers at her br**sts. Gross.Too bad for him she's interested in his best friend, Dave. The eraser drop was deliberate, but Dave
is oblivious. His eyes glaze over as they fol ow Professeur Hansen's pacing.
Dave notices me staring and sits up. I quickly turn away. Emily glares at me, and I smile blandly back. She returned to school with a stripe in her hair. It's pink and the rest is blond, so it's not quite like mine. Stil.
Professeur Hansen relays the details of Marie Antoinette's execution. I can't concentrate. Étienne and I are going to the movies after school. And, okay, Josh and Rashmi are also coming—Mer can't because she has soccer practice—but that still makes this week's score: Anna 4, El ie 1. The teacher
bangs another desk, and the redhead to my left jumps and drops her papers.
I lean over to help her pick them up, and I'm startled to discover an entire page of doodles of a familiar skull tattoo. I look up in surprise, and her face burns as red as her hair. I glance toward Josh and then raise my eyebrows at her. Her eyes widen in horror, but I shake my head and smile. I won't tell.
What's her name? Isla. Isla Martin. She lives on my floor, but she's so quiet I often forget about her. She'd have to be louder if she likes Josh. They're both shy. It's a shame because they'd look cute together. Probably fight less than he and Rashmi, too. Why is it that the right people never wind up
together? Why are people so afraid to leave a relationship, even if they know it's a bad one?
I'm still contemplating this later, while Étienne and I wait outside Josh's room on the first floor, ready for the movies. Étienne presses his ear against Josh's door but then shoots back like it's on fire.
"What is it?"
He grimaces. "They've made up again."
I fol ow him outside. "Rashmi's in there?"
"They're having it off," he says bluntly. "I'd rather not interrupt."
I'm glad he's ahead of me, so he can't see my face. It's not like I'm ready to sleep with anyone—I'm not—but it's still this stupid wall between us. I'm
always aware of it. And now I'm thinking about Étienne and El ie again. His fingertips stroking her bare shoulder. Her lips parted against his na**d throat.
Stop thinking about it, Anna.
Stop it, stop it, STOP IT.
I switch the conversation to his mother. She's finished treatments, but we won't know if the disease is gone until March. The doctors have to wait until
the radiation leaves her system before they can test her. Étienne is always trapped between worry and hope, so I steer him toward hope whenever
possible.
She's feeling well today, so he is, too. He tells me something about her medication, but my attention wavers as I study his profile. I'm jolted back to
Thanksgiving. Those same eyelashes, that same nose, silhouetted against the darkness in my bedroom.
God, he's beautiful.
We walk to our favorite cinema, the one we've dubbed the "Mom and Pop Basset Hound Theater." It's only a few blocks away, and it's a comfortable
one-screener run by the gentleman who walks Pouce, the dog from the pâtisserie. I don't actual y think there's a "Mom" around—Pouce's owner is more likely a "Pop and Pop" kind of guy—but it's still a fitting nickname. We walk in and the friendly, dignified man behind the counter cal s out, "Jo-JA! Atlanna, Jo-JA!"
I smile back. I've been practicing my French with him, and he's been practicing his English. He remembers I'm from Atlanta, Georgia (Jo-JA!), and we
have another brief chat about the weather. Then I ask him if Pouce is a happy dog and if he, the gentleman, likes to eat good food. At least I'm trying.
The movie this afternoon is Roman Holiday, and the rest of the theater is empty. Étienne stretches his legs and relaxes back into his seat. "Alright, I have one. Being bad has . . ."
"Never looked so good. "
"Yes!" His eyes sparkle. This is one of our favorite games, where one of us creates the beginning of a clichéd tagline and the other finishes it.
"With friends like these ..."
He matches my darkened voice, "Who needs enemies?"
As my laughter bounces off the curtained walls, Étienne struggles to keep his expression straight. He fails and grins wider because of it. The sight
makes my heart skip a beat, but I must make an odd face because he covers his mouth. "Stop staring."
"What?"
"My teeth. You're staring at my bottom teeth."
I laugh again. "Like I have the right to make fun of anyone's teeth. I can shoot water incredible distances through this gap, you know. Bridge used to
tease me all the ti—" I cut myself off, feeling il. I still haven't talked to Bridgette.
Étienne lowers his hand from his mouth. His expression is serious, maybe even defensive. "I like your smile."
I like yours, too.
But I don't dare to say it aloud.