As he observed Lyman across the table, Barry Meyer tapped his fingers together, seemingly contemplating the direction of their upcoming conversation.
Although Warner Bros. was one of Hollywood's top six studios, it seemed that having an unconcerned and uninterested director like Lyman wasn't necessarily a plus.
Examining his past works and his attitude, one could deduce that he was quite assertive.
However, on second thought, securing his participation would be a form of insurance.
As previously mentioned, capable directors were a valuable resource within the industry and shouldn't be overlooked.
Warner Bros. naturally wasn't lacking in directors, but they were scarce in directors who could deliver results.
Thus, how to woo him required further contemplation. Lyman had already proven to be a valuable chess piece.
Yes, a chess piece.
For major film companies, especially for high-ranking figures like Barry, accomplished directors were pawns on the chessboard – pawns that could capture territory and win unexpectedly.
However, it was undeniable that this particular pawn already had a home. Paramount and EuropaCorp were undoubtedly reluctant to let go, and there were likely many other studios quite interested in this pawn.
Appetizers arrived along with a bottle of aged red wine.
Barry raised his glass for a toast, then began with a compliment, "Director Lattes, I've also watched "Miscreant". You did a fantastic job."
"Thank you, but it's the audience's support combined with a bit of luck," Lyman modestly replied.
Barry laughed heartily, took a sip of the wine, and turned his gaze to Lyman, continuing, "You're too modest. If I had achieved such results at 27, and someone like me, an old geezer, saw me, I'd definitely be scornful."
"Ha, don't say that."
"Alright, let's discuss something interesting. I still remember when you were preparing to film "Fury" last year. Brad Pitt was your first choice, but due to certain reasons, that didn't work out, and then you went with Nicolas Cage. However, I'm curious about something – how did you end up casting Tom Cruise for "Miscreant"? Their styles seem quite similar."
In truth, Barry had interacted with numerous A-list actors. After all, Warner Bros. churned out a substantial number of films each year, and the scope of roles they could offer was only so wide.
Additionally, after the resounding success of "Miscreant", many tabloid stories had become fodder for fans. Just like some of Lyman's diehard fans initially disapproved of Tom, believing him to be a superficial actor, Barry shared this sentiment. In the past, Lyman had shown pickiness when selecting actors, such as with Brad Pitt. This wasn't exactly a secret in the industry, so he was genuinely curious, not biased against these two actors.
Ultimately, any actor who could bring benefit to Warner Bros. was of interest to Barry. He wasn't too concerned about the extent of their acting prowess.
As the pleasantries continued, Lyman remained composed, following the topic, "The choice not to cast Brad was due to salary issues – we couldn't reach an agreement. As for Tom's selection, I believed he was a good fit."
An actor with attitude, professionalism, and no diva behavior – what reason was there not to collaborate with such an individual? They were certainly better than those lacking acting skills and professional conduct.
Furthermore, with some careful coaching, even Tom could display acting prowess. He was just burdened by his idol status for too long, which made his performances seem unnatural. Moreover, his box office appeal was truly remarkable; "Miscreant" surpassed $100M within four days. One couldn't disregard the support of his fans.
Hearing this, Barry was somewhat surprised. He had assumed that selecting Tom was a compromise on Lyman's part for Paramount or EuropaCorp. He hadn't expected that Lyman had his own take on the matter.
Excellent, Barry's impression of Lyman improved even more.
In fact, Barry had taken notice of "Miscreant" when it premiered at Cannes. The film's nationwide release further demonstrated Lyman's abilities. Since then, he had been eager to have a personal conversation with Lyman about potential collaboration.
The final total box office performance only served as the icing on the cake, further affirming his decision.
"Tom's portrayal this time can be considered a success, and you deserve credit for it," Barry complimented.
While Lyman outwardly appeared pleased, his inner reaction remained unaffected. He understood one thing very well: high-ranking executives like those at Warner Bros. weren't so simple as to meet and greet. It was similar to Sherry Lansing's positive attitude towards him – it was founded on the benefits he could bring them.
Otherwise, well...
Everything was driven by self-interest. Just like him.
He loved making films, and he loved money. The two weren't mutually exclusive; it was the reason he could engage in conversations like these with Barry.
"The film has already finished its theatrical run," he seemed to recall and perhaps wanted to offer a reminder, "I wonder when we'll get to see your next work?"
"We have plans, but when it'll be completed is uncertain," Lyman jested, "Once it's in production, I'll be sure to let you know in advance."
Already planning a new film so soon?
Barry thought to himself.
This was indeed an unexpected piece of news.
But the more unexpected it was, the more it demonstrated Lyman's value. A prolific director with outstanding box office results carried significant weight.
They needed to make their move.
"You're quite the busy man," Barry paused in his words, then playfully continued, "I wonder if Warner Bros. could reserve a filming slot for your next movie?"
Lyman's gaze flickered slightly; the moment had finally come.
"We can discuss that when the time comes. I'm personally very willing to collaborate with a major platform like Warner Bros."
For him, it didn't matter whom he collaborated with. However, Warner Bros. couldn't offer an outrageously high price.
Given that, he might as well continue collaborating with EuropaCorp and Paramount.
The same question arose – he didn't share any particularly close relationship with Warner Bros., making it unworthy of his effort.
Barry had long experienced Lyman's perfunctory responses.
"Perhaps you should hear about our project," as he spoke, Barry kept his gaze on Lyman, not revealing too much emotion. On the contrary, he exuded confidence in his project, his film, and his ability to sway Lyman.
"Here's the script, along with a copy of the original novel. Take them home to review. If you're interested, feel free to give me a call." In the midst of his words, he handed over a business card, "This is my personal number. Sometimes, work keeps me busy, and I might not answer, but try calling around noon or a bit later in the evening."