EPISODE 9
"PROMOTION"
RECAP
OPENING CREDITS
FADE IN
INT. THE SPOT
EMMA paces back and forth, fuming as NIKKI shakes her head, SHANE and ANTHONY not knowing what to say as CHARLES stood before them.
EMMA
I uh..I don't believe I heard you right...so why don't you go ahead and repeat what you just said?
CHARLES
I fired AUSTIN.
SHANE
Can you do that?
CHARLES
Of course I can. I told COLBY, COLBY passed it up to TERESA, she approved it.
SHANE
Of course she did.
CHARLES
I didn't have a choice. You saw his actions.
EMMA
Under the power of a BELKER.
CHARLES
He's been having his problems. All he did was expose them all for all of us to see, and for all of us to finally do something about it.
EMMA
All of us? You mean you.
CHARLES
It's not permanent, I got his reinstatement papers, once he's ready to come back, and there is true contrition, I will bring him back into the fold.
NIKKI
Boss, you beat him near death, under the same power that creature had him throwing out his issues, this...this is bullshit.
CHARLES
Noted, but from you, you're too close.
NIKKI
Oh, now that's bullshit.
SHANE
Has anyone tried him?
EMMA
It's been two days, I called him a few times, but nothing.
CHARLES
He's going through a hard time. Leave him be. That's the point to this.
EMMA
Are you serious? We can't even talk to him?
CHARLES
No. He needs to come to his own conclusions. We can't be the ones to influence him, that's the point to this. Let him get to that point on his own.
ANTHONY
And what happens when he doesn't?
CHARLES
Then...we say goodbye. He'll live his life, you'll still keep in touch, and eventually we'll get another UNEVENTFUL and we'll move on, as he would have already done by not coming back.
EMMA shakes her head.
EMMA
It's bullshit.
CHARLES
Maybe...
CHARLES crosses his arms.
CHARLES
But what's done. Is done. Accept it. Move on.
EMMA sits down, clearly upset as NIKKI stands and goes to leave, CHARLES calling out to her as she stops.
CHARLES
Don't go to him.
NIKKI
Can't stop me.
CHARLES
I can't...
NIKKI screams as she feels her hand burning, SHANE, ANTHONY, EMMA, and even CHARLES himself reeling as they all look down to see a strange SYMBOL burned into their hand.
CHARLES
Right on time.
NIKKI
What the hell did you do?!
CHARLES
As I said...no one can talk to AUSTIN until he comes to me.
EMMA
You branded us?
CHARLES
I had it requested in the requisition I sent to have him fired. The reinstatement papers was one of the clauses, as was this, a blocked off ward, he can't contact you, and you can't contact him, I can't contact him either. Only he can come to me, when he's ready.
NIKKI looks at CHARLES with tears in her eyes, NIKKI shaking her head.
NIKKI
I know he's done some dumb things...I know he's...a meat head, a dick. I get that, CHARLES...but this!
She throws her HAND up, CHARLES looking away as NIKKI wipes a tear away with her other hand.
NIKKI
This isn't right.
CHARLES
I'm sorry, NIKKI.
NIKKI nods and heads out, SHANE looking at CHARLES as SHANE goes to follow her, CHARLES grabbing ANTHONY and shaking his head as he hurries over before EMMA can leave as well.
CHARLES
I need you with me tonight.
EMMA
Why?
CHARLES
I have things I need to take care of, and I need your help.
EMMA
Boss...
CHARLES
Just...bare with me, okay.
EMMA
Fine.
CHARLES goes back over towards ANTHONY.
CHARLES
Take NIKKI, and SHANE, and keep them busy, get their minds off of all of this.
ANTHONY
How the hell do you want me to do that?
CHARLES
You gotta shoot today don't you?
ANTHONY
Boss...
CHARLES
Just take them on set, let them see you do your thing, I doubt they can bring any harm to your classy art picture.
ANTHONY
Suck a dick, CHARLES.
CHARLES
Do it.
CHARLES comes back over towards EMMA as ANTHONY huffs loudly and leaves the SPOT as CHARLES looks at EMMA.
CHARLES
I know I'm not on your list of people you want to be hanging around with right now, but I need you to be my arm candy tonight.
EMMA
For what?
CHARLES
A promotion.
EMMA
A promotion? For who?
CHARLES
An old friend. An ANGEL.
EMMA
Is it Tere...?
CHARLES
No.
EMMA
Then why not ask her to your fancy promotion party?
CHARLES
She's already going with someone.
EMMA
So what? You wanna bring me to make him...or her jealous?
CHARLES
No, he asked for me personally, to...watch his back.
EMMA
Uh...why?
CHARLES
Me and him go back. Used to be an OVERSEER for a FREELANCE RECLAIMING regroup me and COLBY use to work for before we went ALPHA.
EMMA
So his promotion is...?
CHARLES
Merging into the SYSTEM itself. Becoming one with the very thing he serves.
EMMA
That's a helluva promotion.
CHARLES
It's what all ANGELS and DEMONS within the system strive for. He's worked hard for it, and deserves it.
EMMA
So why did he ask for you? Especially to watch his back?
CHARLES
There could be potentially a lot of angry ANGELS AND DEMONS who may want some...harm to befall him, a promotion like this comes once every few hundred years.
EMMA
Won't there be super heavy security in the first place?
CHARLES
Of course. But it's going to be hard for them to do their job when the very same people they're there to protect may be gunning for him.
EMMA
So you want me as arm candy, slash, inner security for an ANGEL I've never met, surrounded by hundreds of DEMONS and ANGELS, who could smite both of us into dust.
CHARLES
Pretty much.
EMMA
Hmm. And here I thought it was going to be so much simpler.
CHARLES
EMMA...I need your A game tonight.
EMMA
Of course. You got it.
CHARLES
Thank you...
CHARLES kisses her on the forehead.
CHARLES
Thank you.
EMMA
Yeah, yeah. I'm still pissed at you you know.
CHARLES
I know.
EMMA
Okay, as long as we're at that understanding.
EMMA punches CHARLES on the shoulder as she takes a seat on the couch, CHARLES smirking as he heads towards the back.
EXT. THE SPOT
NIKKI is walking down the STREET as SHANE catches up to her, cutting her off as he notices how upset she is.
SHANE
NIKKI...It's okay...
NIKKI
SHANE...please...
SHANE
It's okay...
NIKKI shakes her head as SHANE closes in on her, NIKKI not sure what to do as SHANE grabs her into a hug, holding her as she sobs into his shirt, SHANE rubbing her back as she sobs.
NIKKI
What if...what if he doesn't come back...
SHANE
Then...he doesn't.
NIKKI squeezes SHANE as SHANE gently pulls away, pushing her chin up to look at him as SHANE gives her a smile.
SHANE
But he will. Trust me. He will.
NIKKI nods as ANTHONY comes out, ANTHONY looking the opposite way before spotting them, running over towards them as NIKKI wipes her tears as SHANE looks at him.
ANTHONY
Come on, I'm supposed to cheer you two up somehow.
NIKKI
Ha.
ANTHONY
Laugh all you want, but come on, we've got things to do, before I got to be on the set.
SHANE
Whoa, wait, you're going to take us to the set of BULLET EXPRESS?
ANTHONY
...Yes. Now let's go.
ANTHONY turns and heads off towards his vehicle as NIKKI and SHANE give each other looks before following.
EXT. AUSTIN'S PAD
A BEAUTIFUL BRUNETTE OLDER WOMAN knocks on AUSTIN'S DOOR a few times, waiting patiently as she moves the straps up on her dress as she was dressed in a beautiful white and Grey silk gown.
INT. AUSTIN'S PAD
AUSTIN rubs his face, dressed in a suit as he straightens his tie and takes a deep breath, opening the door as he flashes the woman a large smile as she Ogles him up and down a few times before smirking back at him.
AUSTIN
You must be the lovely WHITNEY ADAMS.
WHITNEY
And you, the ever hard to book, AUSTIN BLACK.
AUSTIN
Well, I've had some things free up, and if I had known you were this...stunning, I would have made an exception to those prior commitments.
WHITNEY
You're very sweet.
AUSTIN
I would ask you inside for a few, we have some time before the show begins.
WHITNEY
I...
AUSTIN
It's quite alright.
WHITNEY
I've heard you never let any of your clients into your house before the date actually began...?
AUSTIN
Well...I'm doing things differently now. Please. Come in.
AUSTIN steps aside as he offers for her to enter, WHITNEY blushing as she comes in, looking his place over as he comes and grabs her coat, WHITNEY smiling as she comes and takes a seat over at the BAR as he sets the coat on a coat rack near him as he comes around the counter as he hands her a glass.
AUSTIN
And what would the lady like to drink tonight?
WHITNEY
I'm fine actually.
AUSTIN
You sure?
WHITNEY
Yes, thank you.
AUSTIN
Okay.
AUSTIN takes the glass and tucks it away as he smirks at her, as WHITNEY smirks and grabs his hand, AUSTIN looking at her as she smiles at him.
WHITNEY
You okay for tonight?
AUSTIN
Yeah? Why do you ask?
WHITNEY
Your eyes.
AUSTIN looks at her as WHITNEY smirks.
WHITNEY
It's okay, It's cute. But...It's there. You're all dolled up, like me. But...behind your eyes I can see it...the hurt.
AUSTIN
You an...
WHITNEY
Just an UNDEAD like you. Nothing special just...can spot the same kind of eyes I stare at everyday when I look in the mirror is all.
AUSTIN
It's been...a rough few days.
WHITNEY
Care to tell me about it over dinner?
AUSTIN
I uh...I don't...
WHITNEY
Seems to me...that I'm paying you a lot of money...for sex...for companionship. And as much as I...can't wait for the sex portion...
AUSTIN
Right.
WHITNEY
There's that other little details about your job that I really want to explore. I doubt very many do.
AUSTIN
Yeah. But not their fault.
WHITNEY
Perhaps. I suggest we get going though, don't want to be late for the show.
WHITNEY smirks and gets up, walking towards the door as AUSTIN smirks as he notices her walk, her curvy body filling the dress out nicely as he watches her backside for a moment before coming around the COUNTER and following her out as he shuts the door behind them.
INT. SET
ANTHONY comes on set as someone calls out "DIRECTOR ON SET" a few people clapping as ANTHONY nods and waves as a few men in headsets rush over, shoving and showing him dozens of papers and things to sign as SHANE and NIKKI look about amazed as they were wearing passes around their necks, SHANE coming over to ANTHONY as they hand him a headset and a clipboard.
SHANE
This is uh...
ANTHONY
I know.
The TWO smile as MATT BARRETT comes up and shakes ANTHONY'S HAND, NIKKI coming over as MATT shakes her hand and then SHANE'S.
ANTHONY
NIKKI, SHANE, this is MATT BARRETT, my longtime producer and good friend.
MATT
Pleasure, I've met NIKKI before.
NIKKI
Yeah, I think it was at one of the premier's a couple of movies ago.
ANTHONY
Ah, right, probably.
MATT
SHANE, nice to meet you, heard a lot of things about you.
SHANE
Uh, thanks.
MATT
ANTHONY, we got a problem.
ANTHONY
For? We've got all the squibs and everything set up from what the daily notes just said?
MATT
Yeah it's about...the one scene, when Zander goes to find his wife dead and the civilian has to convince him to not look.
ANTHONY
What about it? Is CRANE not here?!
MATT
No, CRANE is here, just..the guy we had for the civilian role backed out last second, has some sort of major sickness.
ANTHONY
Goddamnit, today is the only day we have to shoot this goddamnit scene, I am not going back in there to ask for another re-shoot day.
MATT
I'm on for replacements, we'll push it back to the last scene and hopefully get someone good to fill the role.
ANTHONY
Do it, get the second unit on the establishing shots and get all the actors on set, let's get this going.
MATT
You got it.
MATT heads off as NIKKI and SHANE are snickering at each other as ANTHONY turns to them.
ANTHONY
Something funny?
SHANE
Haha, you're so serious about a film called BULLET EXPRESS. Which I still don't know what the hell it's about.
NIKKI
Yeah, no kidding.
ANTHONY
ZANDER is a vampire who has just been let go from his family's private security firm, upon realizing that his wife and child have been slain by his own family and rival families, he, along with an UNDEAD best friend and a WEREWOLF weapons maker go on a ballet of death and destruction, to avenge his slain family, seek redemption for his family's fall from grace, and set the course of his life back on course.
NIKKI
Why the hell did you name this movie BULLET EXPRESS? That doesn't fit this at all.
ANTHONY
I don't know, but it's mute point now, what's done is done, this is a good movie.
SHANE
Sounds like it, but the title man...so bad.
ANTHONY
Thank you, now shut up and watch the master.
ANTHONY gets up on a platform and goes into a set as a CRANE with a CAMERA mounted on it gets into place as NIKKI pats SHANE on the chest as she points out a VAMPIRE who was coming onto the set surrounded by nearly a dozen people.
NIKKI
That's MARCUS CRANE, he's one of the biggest movie stars in the FRINGE.
SHANE
I can see by the mob he has following him around.
NIKKI
He's so gorgeous.
SHANE
Oh god, you're one of those chicks.
NIKKI
What? No, no. Course not.
SHANE
Yes you are, if he came over and said one word to you you'd giggle piss your pants.
NIKKI
Giggle piss?
SHANE
Yes, like a tween girl, you'd giggle and smile so hard you'd pee on yourself just a little bit.
NIKKI
God, why...
SHANE
Here he comes.
NIKKI
What...?
SHANE points as MARCUS CRANE was making his way towards them as ANTHONY had some men flag him down, SHANE smirking as MARCUS walks by them, NIKKI sucking all her breath in as MARCUS stops and turns around coming back towards her as he looks her up and down for a moment before flashing a winning smile.
MARCUS
Hey.
NIKKI looks red in the face as SHANE shakes his head as suddenly NIKKI swoons and then breaks into hysterics, MARCUS smiling as she begins speaking rapidly MARCUS nodding at the all the compliments she was giving him before he was called upon a few times, MARCUS touching her across the face and lips before he heads off to meet with ANTHONY on the platform, NIKKI shivering as she turns around with a euphoric look on her face as SHANE "tsk's" as he walks past her, NIKKI looking embarrassed as she hears SHANE laughing.
EXT. GALA BUILDING
CHARLES steps out of the LIMO as he was in a fine white tuxedo, CHARLES smirking as he notices some ANGELS and DEMONS watching him with scathing looks before he notices their eyes drift over towards EMMA who was being let out by the LIMO DRIVER, EMMA stepping out as she was stunning, CHARLES smirking as she comes over and takes his arm as he holds it out to her, leading her towards the entrance as she notices everyone eying her.
EMMA
Look at em, I know I look good.
CHARLES
Nice to see you being so humble.
EMMA
This is what you wanted and it's working so hush.
CHARLES smirks as he pulls his invitation and shows it to the SECURITY GUARD, the GUARD scanning it in before he allows them to enter as a SCANNER quickly traces them over a few times before the TWO step inside.
INT. GALA BUILDING
The GALA BUILDING was already packed with all sorts of people, mostly ANGELS and DEMONS as CHARLES leads EMMA towards the middle of the room where a large circle was forged as EMMA watches people still eying her closely.
VOICE
CHARLES REID! My friend, come here, you made it!
CHARLES moves by some people as he comes over to a jovial looking ANGEL who was standing amongst a sea of beautiful WOMEN, one of them being on the arm of COLBY.
CHARLES
COLBY.
COLBY
Hello, CHARLES. EMMA.
EMMA
Nice to see you, COLB.
CHARLES
JAVIER, Nice to see you again old friend.
EMMA is struck by how elegant and handsome the ANGEL JAVIER is, JAVIER shaking CHARLES'S hand with a big grin as he reaches over and takes EMMA'S HAND kissing it as she blushes.
JAVIER
CHARLES, who may be the lovely lady on your arm?
CHARLES
This is EMMA LAIN, one of my RECLAIMER'S.
JAVIER
I can tell you she has the jealousy of a lot of women and men in this room tonight, and rightfully so.
EMMA
Very nice of you.
COLBY
JAVIER here was regaling the group here about that little raid we did on the BOGGART NEST, remember?
CHARLES
Oh, that story...wow, been years since I've thought about it.
JAVIER
A mission so perilous and dire that I thought even the best I had could not find a way to overcome it's odds. And yet as you were all keen on doing in those days, you found a way.
JAVIER smiles and winks at EMMA who looks away as CHARLES smiles as he looks about before stopping, COLBY catching his gaze before he looks and shakes his head, taking a drink as EMMA looks at him as he was staring at the STAIRWAY.
On it, TERESA was coming down, made up and looking about as stunning as anyone else could have imagined, EMMA sneering a bit as she nudged CHARLES who hadn't taken his eyes off of her.
EMMA
I think I'm beat, boss.
CHARLES
Uh...
TERESA continued down the stairs and noticed them, frowning a bit as she walked towards them.
TERESA gives CHARLES a look before she comes over and gives JAVIER a hug, JAVIER smiling as he hugs her back as she gives COLBY a handshake and even EMMA one.
TERESA
It's nice to see my group is being represented tonight, though I am a bit surprised to say the least that you are here, EMMA.
EMMA
We were invited.
TERESA
JAVIER...if you had a heart, a real one that is, I would say that it is quite soft.
JAVIER
On the contrary, you beautifully exquisite little firecracker, I would say that having this...soft heart is precisely why I am having this evening. Perhaps what the SYSTEM needs is a little more heart.
TERESA
Perhaps. In any case...the company you keep on your night is none of my business, it is a night of celebration, and let us do so.
JAVIER
I will have to assume someone as beautiful as you look tonight TERESA did not come alone.
TERESA
Of course not.
CHARLES turns as he notices a beautiful looking brunette man walk by him, the ANGEL giving him a once over before smirking at him as EMMA looking at him the same way as TERESA smirks at CHARLES and presents her arm to the ANGEL who takes it as JAVIER laughs and holds a hand out at him, shaking his hand with a large grin.
JAVIER
BENJAMIN, you sly devil you.
BENJAMIN
JAVIER, this is a tremendous occasion. I, TERESA, all of us OVERSEER'S could not be more happy to see the promotion go to someone who has been so loyal, dedicated, and strong in their resolve as you have been JAVIER, you...are one in a million.
JAVIER
Perhaps, but we were cut from the same cloth my brother, and therefore any praise upon me, is praise upon him, who created us...our father.
The ANGELS all about who hear him cheer, as some of the DEMONS can be heard sneering under their breath as CHARLES hurries off, EMMA going after him as TERESA watches him go, JAVIER not seeming to notice as COLBY tries to his best to engage in conversation without being to obvious that he had seen.
EMMA catches up to CHARLES as he comes to the BAR, quickly ordering as EMMA looks at him and pats him on the shoulder.
EMMA
Are you okay...?
CHARLES
I'm fine...
EMMA
Who was that guy?
CHARLES
BENJAMIN. A...top tier ANGEL, and a douche.
EMMA
Yeah, I got that vibe, why is she on his arm?
CHARLES
Networking, BENJAMIN was considered the all likely next ANGEL to enter the SYSTEM, at least before JAVIER. He's more stringent and strict on the rules then TERESA is.
EMMA
Damn.
CHARLES
Besides...we've got history.
EMMA
Well, damn when don't you have history with someone.
CHARLES
Yeah well...
VOICE
CHARLES...long time.
CHARLES turns as he notices a DEMON come over to him, extending a hand as CHARLES shakes it.
CHARLES
CHARSOC.
The DEMON CHARSOC smirks a devilish grin at EMMA who looks at him as he extends a hand to her, EMMA taking it hesitantly.
CHARLES
EMMA, this is CHARSOC, runs the premier RECLAIMING group in the entire FRINGE, the BERZERKERS.
EMMA
You...are the BERZERKERS OVERSEER?
CHARSOC
Indeed I am.
CHARLES
CHARSOC also happens to run about two other ALPHA level groups and a few smaller ones, he's the guy with the heavy plate around here.
CHARSOC
Indeed I am.
CHARLES
Not to sore about JAVIER being taken into the SYSTEM?
CHARSOC
Me? Pfft, why should I? I have a pretty good gig going on, and besides, becoming one with a bunch of other celestial ANGELS and DEMONS is not my idea of living.
EMMA
Not in it for the greater good?
CHARSOC
My greater good comes from doing what I do now, and that's OVERSEEING the best ALPHA level group in the SYSTEM. Speaking of which...
CHARLES
I'm not having this conversation again, CHARSOC.
CHARSOC
Your group is primed for ALPHA level and you should consider it an honor.
CHARLES
I do, but as I've said before, I am not putting them through that.
EMMA
Through what?
CHARLES
Do not answer that, CHARSOC.
CHARSOC
Why not? I think the lady can handle some truth.
CHARLES
I...
CHARSOC
I have asked, on more than one occasion mind you that CHARLES take your little group and apply them for the ALPHA level exams. You already take ALPHA LEVEL cases as it would be and I think it would be good for you. Get that respect, make that little...well...lot of extra money.
CHARLES
that's enough from you, CHARSOC.
CHARSOC
Consider it. You are primed for it, my friend.
CHARSOC heads off as CHARLES can feel EMMA glaring at him, CHARLES not looking at her as he takes a drink.
EMMA
So how long has he been asking for us to go ALPHA?
CHARLES
EMMA...
EMMA
Going ALPHA, CHARLES! Do you understand the pedigree that comes with that, the payoff's the respect?!
CHARLES
I know! I know what it comes with, EMMA!
EMMA
And yet you what...don't think we can do it? Not good enough, don't deserve the respect?! No...course not...you don't respect us enough to even tell us about things anyways...
CHARLES
Don't start with me EMMA...
EMMA
I'm leaving, CHARLES...
CHARLES
EMMA, please...
EMMA
No...no you got what you needed from me, I'm out.
CHARLES
EMMA, you're taking what that DEMON said and you're...
EMMA
STOP!
CHARLES notices some people look over at them as CHARLES bites his lower lip as EMMA shakes her head, tears in her eyes.
EMMA
It's not him that I'm agreeing with...it's AUSTIN.
CHARLES
I...
EMMA
I don't know what to say...what to think...I just...can't be around you.
EMMA storms off as CHARLES goes to stop her but doesn't, CHARLES shaking his head as he sullenly goes and takes a seat at the BAR, ordering another as the PARTY continues all around him.
EXT. GALA BUILDING
EMMA comes out of the building, tears in her eyes as she shakes her head and wipes them away as she wipes them, not noticing a MAN come up beside her.
MAN
A beautiful girl like you shouldn't be crying. Not at a party.
EMMA
Well, dude...it's really none of your business.
EMMA looks over to see the MAN smiling at her, EMMA gulping as he was a handsome well built fellow, EMMA wiping her eyes as the MAN holds a hand out.
CHRISTIAN
CHRISTIAN ...CHRISTIAN DOYLE.
EMMA
EMMA LAIN.
The TWO shake hands as he takes his coat off and wraps it around her as a gust of wind picks up around them.
CHRISTIAN
I assume this isn't about a lover or boyfriend, not crying hard enough. But it's definitely over someone important...father or relative?
EMMA
Boss.
CHRISTIAN
Ah. Is it safe for me to assume you're an RECLAIMER?
EMMA
Not that hard of a guess but yes, I am.
CHRISTIAN
Ah, me too.
EMMA
Really, big shock.
CHRISTIAN
Haha. Yeah, well.
EMMA
Look I just wanna get out of here...
CHRISTIAN
Well I kinda want you to stay.
EMMA
I'm not that kind of girl.
CHRISTIAN
Really?
EMMA
What do you want, I just met you?
CHRISTIAN
It's kinda lame in there, But there's this spot in the GALA that's actually pretty neat to be, I need a wingman, or in this case...woman, to help me get there...besides, you don't really wanna leave, just like I can't really leave, so you're dilemma gets solved, while still honoring your decision to at least not be in there. So...what do you say?
EMMA raises an eyebrow and smirks as CHRISTIAN smiles back at her as he already knew her answer before she said it.
INT. RESTAURANT
AUSTIN sits across from WHITNEY as they were in a FIVE STAR RESTAURANT, AUSTIN watching as the WAITER sets their WINE down as AUSTIN smiles at her as she smiles back at him.
WHITNEY
Did you enjoy the show?
AUSTIN
I enjoyed what I got to do during the show...
WHITNEY
Stop.
AUSTIN watches as she playfully smiles as AUSTIN winks at her as she takes her wine and takes a sip, AUSTIN drinking a bit of his down as well as she reaches her hand out, AUSTIN taking it as the two smile at each other.
WHITNEY
I did like that you gave an encore though.
AUSTIN
These hands were made to please.
WHITNEY
I'm sure that was all the appetizer?
AUSTIN
Of course.
WHITNEY
Then...I don't need to keep myself wrapped in suspense.
AUSTIN
Oh, the suspense helps. Yeah, adds that little tinge of danger to the unknown once we wind up back at my place.
WHITNEY
Oh...well I'm sure I can feign some shock and awe if you need me too.
AUSTIN
Thank you, kinda kills my mood if you know what I mean.
WHITNEY
You are so bad.
AUSTIN
I know.
The TWO laugh as she squeezes his hand, looking into his eyes as AUSTIN smiles.
WHITNEY
So what happened?
AUSTIN
What do you mean?
WHITNEY
What happened.
WHITNEY gives him a look as AUSTIN nods, WHITNEY watching as AUSTIN seems to contemplate whether or not to say anything.
AUSTIN
I got fired...from RECLAIMING.
WHITNEY
Can they do that?
AUSTIN
Apparently.
WHITNEY
Why?
AUSTIN
I don't know. I mean, I lipped off...but I've done that hundreds of times, thousands even, and I was under the power of this...monster that was forcing all these negative emotions out of us. But...but that's not it, not all of it.
WHITNEY
Oh?
AUSTIN
I wasn't the best....teammate. Best guy to have around. I kill when I don't have to, I don't listen half the time, and when I do, I blame it on others when things go on. I'm selfish, self absorbed...I'm everything that my boss laid out for me on why he had to do it...and the damned thing is...even though I know I am...even though I can go and get my job back and admit all these things. I just...won't.
WHITNEY
I see.
AUSTIN
I know I am wrong, but that doesn't give him the right to make me...beg...like a dog to come back to them. Which is what he wants me to do, and I'm just...I'm just not going to do that.
WHITNEY
I understand.
AUSTIN
Do you? Or are you just...
WHITNEY
AUSTIN...I do. It's fine.
AUSTIN smiles as he notices her smile, AUSTIN taking her hands into his as he gives her a grin.
AUSTIN
Thank you...for hearing me...vent like a bitch.
WHITNEY
Oh it's fine, Besides you've got some serious stories you about to have to sit through.
AUSTIN
Oh man.
WHITNEY
Uh, rude!
AUSTIN
I never said I was a fair giver.
WHITNEY
I'm noticing.
The TWO lean over and give each other a kiss as they pull away with warm smiles.
INT. GALA BUILDING
COLBY comes over to the BAR as CHARLES was surrounded by a few empty drinks as COLBY takes a seat and orders as CHARLES looks over at him.
CHARLES
What, COLBY?
COLBY
CHARSOC loves to talk.
CHARLES
That old bitch needs to get a life.
COLBY
Perhaps. I've been telling you for a while you need to at least give your team the option to go ALPHA.
CHARLES
I...
COLBY
Yes, I know the excuses. But you can't run from them now. Pretty soon you're going to have to entrust your group to make the right choices, and trust me CHARLES, they're ready. They can do it.
CHARLES
You think so? I just had one storm off out of here under direct orders, I had to fire another, one's a rookie, the other hardly does field work outside of reaping.
COLBY
It's not that. It's your lack of faith in them. Pretty soon that's what they're going to start thinking, and you can either keep feeding them this line of bullshit that you're feeding everyone else, or...you're going to have to come out with the truth.
CHARLES
And that would be what, exactly? Since you know me so well.
COLBY
That you don't have faith in them. You're scared they're going to fail, and in return...let you down.
CHARLES
Ha. Okay, sure.
COLBY
You can act like I'm wrong...but I'm not. Come on, JAVIER'S about to give his speech.
COLBY gets up and pats CHARLES on the shoulders as CHARLES grabs his coat and puts it back on, following COLBY with a bit of a stagger as the TWO work their way towards the STAGE, where JAVIER was being set up as CHARLES looked about as everyone crowding around the stage as CHARLES spots TERESA near BENJAMIN and CHARSOC as COLBY worked his way up towards them, CHARLES tapering off as he stood in place, close enough but still far enough back to still be seen as CHRISTIAN and EMMA watch everyone go by without noticing them slipping past the SECURITY that was moving in to keep better watch over everyone.
JAVIER gets on the stage to a chorus of smiles and claps as JAVIER grabs the MICROPHONE, JAVIER smirking as a spotlight shines down on him.
JAVIER
Oh, there we go! Good evening ladies and gentlemen! How are we doing, are we enjoying this party or what?!
The crowd cheers as EMMA watches as CHRISTIAN had stopped and was beginning to tear his suit apart, revealing some gear under him as EMMA looks at him confused.
EMMA
What the hell are you doing?
CHRISTIAN
Sorry, love, I kinda have something to take care of first before I can take you to that spot.
EMMA
Uh...
CHRISTIAN smirks at her and runs off down the hall, EMMA looking confused as she looks about.
EMMA
Oh...what the hell...
EMMA hurries off back towards the way she came as she begins towards the crowd.
JAVIER
My my, what can I say...what can I say...I guess...I guess I can say that...this...promotion as some of you call it, is more than just moving up on the chain of command. It's more than just becoming one with the SYSTEM...it's more than anything we can really through a label on it. It's more than any of that because of what it truly represents. Success. Not individual success, or accomplishments, not even a group effort, it is indicative upon the success of this world. This FRINGE that we came here with one purpose, to harbor lost souls, to grow them, to provide for them, to give them a home, until we can find them their true home. It took ANGELS...it took DEMONS...it took even the very souls we were assigned to watch and preside over, and the creatures whose land we share. It took the FRINGE itself, this growing evolving beautiful world, to help the SYSTEM succeed. My promotion is not based on me, but on every single one of you, of the hundreds of millions more out there, of every one!
The CROWD begin to clap and cheer for JAVIER as CHARLES smirks, CHARLES noticing as certain people in various spots however were not clapping or cheering, just watching him carefully, CHARLES catching on as he looks at JAVIER before he begins towards the closest one.
JAVIER
In closing...I will say that to all of my co workers, cohorts, friends, enemies, anyone and everyone...that no matter where you start in this world....no matter what you are...you are the heartbeat of this world...you..are the real SYSTEM that makes this world run.
CHARLES runs forward and grabs the VAMPIRE from behind, the VAMP snaring it's fangs at him as CHARLES twists and breaks its neck, the CROWD backing away from him in horror as CHARLES watches the persons who didn't react suddenly rush JAVIER, CHARLES calling out for him as JAVIER notices it, CHARSOC whistling loudly as suddenly the a BLUE SHIELD appears around JAVIER, The TERRORISTS stopping cold as the ANGELS and DEMONS begin to back away, no one wanting to engage the SEVEN MEN and one WOMAN as they all turn to CHARLES who was standing alone as EMMA was fighting her way through the crowd as CHARLES stood by the dead VAMPIRE as CHARLES cocks his head and eggs the TERRORISTS on.
CHARLES
Come on.
As the TERRORISTS begin towards him, A FIGURE drops down from the dais above them, landing between CHARLES and the GROUP as CHARLES raises and eyebrow as EMMA pushes through and gets near COLBY who grabs her, stopping her from advancing as she tries to push him off.
EMMA
Let me go, COLBY!
COLBY
It's taken care of...
EMMA
What?!
COLBY
See that guy with CHARLES...
EMMA
Yes, that's CHRISTIAN I met him...
COLBY
Did you know?
EMMA
Who is he?!
COLBY
He's CHARSOC'S best RECLAIMER.
EMMA
He's what...?
COLBY
Yep. You're about to see the FRINGE'S best ALPHA RECLAIMER in action.
CHRISTIAN eyeballs the group as CHARLES comes over to him, CHRISTIAN smiling as he looks at him.
CHRISTIAN
Pleasure to meet you, sir.
CHARLES
And you too. Your CHARSOC'S guy, right?
CHRISTIAN
You could say that.
CHARLES
I'm counting four vamps, three werewolf's, and what appears to be a low level DEMON.
CHRISTIAN
Here...
CHRISTIAN pulls a SILVER KNIFE from his vest and hands it to CHARLES, CHARLES taking it as CHRISTIAN doesn't wait and runs forward, CHRISTIAN high kicking a VAMP down as TERESA watches as CHARLES let's a small group surround him, TERESA watching as a WEREWOLF half changed charges him, CHARLES moving to the side as he stabs it in the chest and rips the knife down, disemboweling it as it begins to melt as CHRISTIAN strikes a VAMPIRE in the face a few times before side kicking its feet out from under it before taking a MACHETE and cutting its head off, CHRISTIAN feeling a VAMPIRE grab him from behind as he quickly flips it over him and grabbing its arm he stomps his boot down and breaks its neck at the same time that he ripped it's arm off, JAVIER watching on as CHARLES is grabbed by the other WEREWOLF as the FEMALE DEMON begins to beat on CHARLES. CHARLES knocking his arm back into the WEREWOLF as CHRISTIAN tosses a SILVER knife into the WEREWOLF'S FACE, CHARLES watching as CHRISTIAN effortlessly hacks the last two VAMPIRE'S heads off with one motion as CHARLES is knocked back a few feet by the DEMON who got in a single punch.
The LAST WEREWOLF goes to bite at CHARLES'S FACE but CHARLES pulls the KNIFE up and stabs it into the WEREWOLF'S CHIN, the WEREWOLF howling as the DEMON runs over towards CHARLES as the WEREWOLF scampers back to die in agony but as she reaches CHARLES, CHRISTIAN runs over and knees her in the back, knocking her over CHARLES as CHARLES gets up and gets beside CHRISTIAN as the DEMON quickly jumps up and rushes them, appearing between the two almost as soon as she had got to her two feet, but as she did CHRISTIAN strikes her a few times, making her reel as he rolls and pulls his knife from out of the WEREWOLF he killed while pulling the other knife from CHARLES'S previous kill, the DEMON turning to him as CHARLES grabs her from behind, the DEMON struggling to pull him off as CHRISTIAN stabs the BLADES into its eyes, The DEMON SCREAMING as CHARLES let's go and steps back away from her as CHRISTIAN watches her soul burst from it's eyes before dispersing into the ball of light.
The CROWD watch on in stunned silence as the remaining bodies around them begin to burn up and melt before bursting into light and dust, CHRISTIAN grabbing his BLADES as suddenly the CROWD begin to clap and cheer, CHRISTIAN nodding modestly as CHARLES nods and waves about, CHARLES looking at EMMA who was transfixed on CHRISTIAN who comes over to her, taking her hand as he takes her through the crowd which were patting and slapping him on the shoulders as he leads her off, CHARLES nodding as he turns to look at JAVIER who looks at him gratefully, CHARLES resisting the urge to look at TERESA, but gives in as she was clapping, BENJAMIN doing more of that with a huge grin on his face as TERESA simply didn't even look his way. CHARLES nodding as JAVIER spoke up on the microphone.
JAVIER
And seeing how that has been taken care of...let's party?!
The CROWD cheers as CHARLES rubs his chin and begins back towards the BAR, everyone congratulating and patting him as he stoically walks back without acknowledging or saying a word.
INT. MOVIE SET
MARCUS CRANE continues on with a new scene on a different set as NIKKI watches him closely, SHANE chatting up a few guys as MATT comes over to ANTHONY who was watching the scene on the monitor.
MATT
ANTHONY...
ANTHONY
Yes, what? Can't you see that...
MATT
We can't find a replacement.
ANTHONY
What?! CUT! That was great MARCUS, take a five!
MARCUS
no problem.
MARCUS winks over at NIKKI, who looks away quickly, hiding her giggling smile as she quickly hurries out of his sight as ANTHONY throws his headset down and comes over to MATT.
ANTHONY
We have to shoot that scene in thirty minutes, and you're telling me after six hours you still can't find one goddamned person to do the scene?
MATT
Actually we think we have someone in mind...but we're not sure how you're going to react...or him.
ANTHONY
Who?
MATT eyes over to his left as ANTHONY looks to see MATT staring at SHANE.
ANTHONY
No way...
MATT
It's a small part, one line, he can handle one line.
ANTHONY
I don't know about this...
MATT
We're running out of time, and we are out of options right now.
ANTHONY
I...goddamnit.
ANTHONY rubs his head, contemplating as he hurries over and grabs SHANE, pulling him away as he grabs him by the shoulders and looks him seriously in the face.
ANTHONY
I need you right now man.
SHANE
Uh...okay?
ANTHONY
We had an actor drop out of a scene that we have to get tonight, we can't get anyone on the set right now to shoot it, and I'm out of options, I need you to be the guy.
SHANE
What the fuck, me?!
ANTHONY
Not with that attitude!
SHANE
No, I'm just..I've never acted before man.
ANTHONY
It's easy stuff man, look the scene is, MARCUS CRANE'S character comes to the scene of his dead wife and child, and you as a neighbor, come over to him, he'll say this line... "ALLEN, let me see them..." and you will say "No, ZANDER...I can't." That's it.
SHANE
No, ZANDER...I can't.
ANTHONY
And try and look sad about it, other than that, that's it.
SHANE
That's it?
ANTHONY
Yes. Now...can I count on you?
SHANE
...Yeah. You can count on me.
ANTHONY
Thank god, MATT we got our guy! Get him into make up and prepped right now, we shoot in fifteen!
TWO WOMEN come over and take him towards a MAKE UP CHAIR as MATT comes over and chats him up as ANTHONY goes back towards his platform as he stops when he notices NIKKI making out with MARCUS, ANTHONY coming over as he clears his throat loudly as NIKKI looks bewildered as she steps back and watches as ANTHONY stares her down.
ANTHONY
Could I have my actor back, NIKKI? MARCUS, go get prepped, final scene, then you can go suck face with NIKKI...only her face...
MARCUS
Low blow, TONY.
ANTHONY
Go.
MARCUS pinches NIKKI'S CHEEK, NIKKI giggling as he heads off as ANTHONY looks at her, shaking his head as he heads back to his platform as NIKKI sigh's and follows him up.
SHANE looks nervous as he was in a different set of clothes standing behind a hurried production crew as MARCUS was a few feet ahead of him, prepping and saying things over and over as SHANE can hear ANTHONY on the loudspeaker above them as he was speaking into his headset, watching on a monitor on his platform as MATT and NIKKI were around him.
ANTHONY
Alright, SHANE you're going to do great, we're going to nab a few takes, and then call it a night, sound good?
The CREW cheers as MARCUS throws a fist up as SHANE was sweating as a few of the MAKE UP GIRLS touch him up quickly before getting off of the set as everyone clears off that shouldn't be on the set.
ANTHONY
Alright roll sound...
SHANE looks about nervously as the CAMERA was getting set as MARCUS was doing some more weird off camera exercises as ANTHONY can be heard barking orders.
ANTHONY
Alright...action.
MARCUS runs up frantically, SHANE watching as he walks right by him.
ANTHONY
CUT! SHANE, dude, you're supposed to stop him from getting by you.
SHANE
Oh..I thought he was just supposed to stop...
MARCUS
No man, I'm method, you gotta stop me or I'm just going to go for it.
SHANE
Okay.
MARCUS
Sorry, bout that mate, My bad, I'll take that one, boss.
ANTHONY
Reset, let's go again.
SHANE looks about as everyone resets before ANTHONY calls action again, SHANE stopping MARCUS as he came at the same speed trying to get by him.
MARCUS
ALLEN, let me see them...!
SHANE
No, ZANDER....
SHANE suddenly looks blank as MARCUS looks at him confused before looking at ANTHONY, who shakes his head.
ANTHONY
CUT! What the hell?!
MARCUS
He didn't know his line!
SHANE
Yeah, sorry, what was that second part?
ANTHONY
I CAN'T!
SHANE
Right...okay, I got this next one.
ANTHONY
RESET....ACTION.
MARCUS runs up and SHANE stops him.
MARCUS
ALLEN, let me see them...
SHANE
No, ZANDER...I...Can't...
ANTHONY
Cut! Don't break, just say I can't, like a normal fucking person!
SHANE
Right...
ANTHONY
RESET...ACTION!
MARCUS runs up and SHANE stops him.
MARCUS
ALLEN, let me see them...!
SHANE
No, ZANDER...I can't...I can't...
ANTHONY
One time please!
MARCUS
From the top?
ANTHONY
No just, start from your line, MARCUS, keep rolling. ACTION!
MARCUS
ALLEN, let me see them...
SHANE
NO, ZANDER...I can't...
SHANE gives MARCUS a weird half afraid half scared look as ANTHONY shakes his head.
ANTHONY
Again!
SHANE
What? That was good?
ANTHONY
you looked scared, give him sad, I need sad or upset, not scared.
MARCUS
Okay okay...ALLEN, let me see them...
SHANE
No, ZANDER...I can't...
SHANE goes to make a face but it looks more like he is constipated.
ANTHONY
CUT!
MARCUS
Jesus Christ, what the fuck is wrong with this guy?
SHANE
I've got this, TONY.
ANTHONY
You don't got it!
SHANE
Come on man, you need this scene let's do it.
ANTHONY
Fine, from your line only, MARCUS just...react okay. SHANE, sad expression, sad. ACTION!
SHANE
No, ZANDER...I can't...
SHANE goes from a semi frown to a full blown creepy smile.
ANTHONY
CUT!
SHANE
I couldn't control that one I tried!
ANTHONY
ACTION!
SHANE
No, ZANDER...I can't...
SHANE holds his hand and looks longingly at MARCUS, MARCUS stepping back confused as everyone on set began to talk.
ANTHONY
CUT!
SHANE
That was good right there...
MARCUS
Not really...
ANTHONY grabs his head as NIKKI was dying laughing behind him as he yells ACTION again, SHANE saying the lying several more times, each time presenting a different face and action that does not correlate with what was asked of him, ANTHONY burying his face into his hands on the last take as MARCUS walks off the set, MATT patting ANTHONY on the shoulder as leans over as SHANE looks about confused.
MATT
I think we got about as good as we can get...maybe we can work on it in editing.
ANTHONY
Yeah, fuck it, that's a wrap for the evening everyone, be sure to fill out your requisition forms and file all notes and registries with the appropriate persons, clean up, and goodnight!
ANTHONY throws his head set down as he storms off the set as SHANE hurries over towards NIKKI who was pacing slowly to wait for SHANE as SHANE looks at her.
SHANE
Honestly...how was that?
NIKKI
Honestly? Not bad.
SHANE
Really?
NIKKI
Yeah.
SHANE
I knew I was nailing that shit.
NIKKI
Like you wouldn't believe.
NIKKI laughs as SHANE isn't sure how to react as she and SHANE walk towards where ANTHONY had stormed off.
INT. GALA BUILDING-TERRACE
EMMA and CHRISTIAN are laying on their backs, staring up at the SKY on the TERRACE of the GALA BUILDING as the party was still going downstairs.
EMMA looks up at the artificial night sky and stars as CHRISTIAN has his arms behind his head.
EMMA
So...you why not tell me you were the uber RECLAIMER.
CHRISTIAN
Would you have believed me, or what you of thought it just me being a douche nozzle.
EMMA
I like to think I would believe you, but then again...my judgment as of late has been pretty wrong.
CHRISTIAN
It's not something I boast about, I leave that to CHARSOC and everyone else.
EMMA
It doesn't bother you? Killing all those people? I mean, I've done it hundreds of times, but...each time still takes a little peace out of me.
CHRISTIAN
It used to. It did. But then...I started kinda growing numb to it...it was all just part of the job you know? But here...looking up at this...fake sky with fake stars...kinda puts some of it into perspective.
EMMA
haha.
EMMA smirks as CHRISTIAN stares at the sky.
CHRISTIAN
But I don't care that it's fake. To me it's still a sky...it's still stars. It still...does it's job.
EMMA
Yeah, I hear ya.
The TWO go silent as they just stare upwards.
EMMA
Are you gonna make your move yet or...?
CHRISTIAN
Well...now.
CHRISTIAN leans over and kisses EMMA as EMMA rubs the back of his head as the two begin to make out.
INT. GALA BUILDING
CHARLES puts a drink away as TERESA comes over to him, CHARLES noticing her as he turns and faces her, TERESA looking about before finally speaking.
TERESA
That was good work tonight...
CHARLES
Yeah. I guess.
TERESA
We got a lot of compliments, requests even. You made a great impression, and you helped keep JAVIER safe. Thank you...for at least representing us in a positive way tonight.
CHARLES
TERESA...
TERESA
I have to go.
CHARLES
TERESA.
CHARLES goes to grab her but she quickly pulls her arm away.
TERESA
I told you last time...there is nothing for us to talk about...strictly business.
CHARLES
But with BENJAMIN...you know who he works with...you know...
TERESA
I know...CHARLES...but that too is about business. Separate the personal from the business side, CHARLES. If not, your just...gonna keep dragging yourself down...and the others.
CHARLES
And you?
TERESA
I won't be dragged down by you...because I know you, CHARLES. You may want to hold the rest of them down with you, but I won't be a part of that. You should know that by now.
TERESA walks off as CHARLES is left speechless.
INT. AUSTIN'S PAD-BEDROOM
AUSTIN rolls over as he is sweating and breathing heavy as WHITNEY covers up and looks entirely exhausted, her body slightly paler as AUSTIN reaches over and grabs a water bottle, taking a drink as he hands it to her, WHITNEY taking most of it down as she sets it on the nightstand nearest her as the two just stare upwards.
AUSTIN
That uh...
WHITNEY
I know...
AUSTIN
And that thing you did with your leg...nice touch there...
WHITNEY
I feel like my vagina just got beat with a baseball bat...but in a sexy way.
AUSTIN
Damn straight.
WHITNEY giggles as AUSTIN laughs and pulls her close to him, draping her over his chest as AUSTIN wraps an arm around her, WHITNEY kissing his chest a few times as she rubs her hand up and down his chest as AUSTIN closes his eyes.
WHITNEY
I think you should go back.
AUSTIN
Come again?
WHITNEY
To your Reclaiming job...I think you should.
AUSTIN
Why?
AUSTIN opens his eyes as she lifts her head up to look at him.
WHITNEY
Because it's what you really wanna do.
AUSTIN
I don't know about that...I had a pretty bitchin time tonight.
WHITNEY
Of course you did, But that's because you don't get very many nights like this..full nights. But could you do this every night? Every night with some other girl in your bed, to take out to shows, and fancy restaurants? Even if you didn't do that, could you stand all the variety you would get? The different types of women, the different conversations you'll just have to sit through to get to this point? I know you want to think you can, but I could see it in your eyes all night. This isn't the job you feel the most proud of...this is the escape when the real job gets a little heavy...or pays a little to less. And for the record, you're totally the narcissistic man whore that your boss called out.
AUSTIN
Geez thanks.
WHITNEY
But...you know what? You're also a sweet, caring and compassionate man, and you need to allow yourself to show that more. Those guys, they are your family...they accept you as you are, but you don't quite accept you as you are, and you lash out. Be who you are, but don't do it at their expense...or your own.
AUSTIN
I...
AUSTIN and WHITNEY look to see the ALARM going off on his BEDSIDE TABLE, the alarm going off at 12 AM.
WHITNEY
I guess my time is up...
WHITNEY goes to get up but AUSTIN grabs her by the arm, WHITNEY looking at him as he pulls her back on top of him, WHITNEY looking confused as AUSTIN rubs some of her from her face.
AUSTIN
...Stay? I would like you to stay the night if...
WHITNEY
Sshh.
WHITNEY puts her finger to his lips as she smiles and leans down and kisses him, AUSTIN kissing her back as he wraps arms around her and flips her onto her back as the two begin to make out passionately.
EXT. THE SPOT
ANTHONY, SHANE, and NIKKI sit on ANTHONY'S HOOD, each with a beer in hand as they look up at the sky as SHANE takes a drink.
SHANE
I'm sorry I didn't quite turn out to be the Marlon Brando of FRINGE actors, ANTHONY.
ANTHONY
Oh...don't worry about it. I'm sure once I've pulled most of my hair out from watching the dailies tomorrow I will be over it.
NIKKI
I thought it went well.
ANTHONY
Yeah, I could tell by the never ending gaggle of laughter coming from you, speaking of which, when you were sucking face with MARCUS CRANE could you taste the cock on his breath?
NIKKI
The what?!
ANTHONY
Oh yeah, major Bi Sexual that guy, swings both ways. Heard he was blowing a key grip before we started shooting the third scene right after lunch.
NIKKI
I uh...I...
NIKKI begins to gag as SHANE was busting out laughing as NIKKI goes around the car and begins to vomit, SHANE shaking his head as ANTHONY takes a drink.
SHANE
So he's really Bi sexual? I didn't get that vibe from him at all.
ANTHONY
What? Oh, no, yeah he's not gay, he's about as straight as a fucking straight line man, I just said that to get back at her.
SHANE
Cold blooded man.
ANTHONY
Well.
The TWO laugh as they clang beer bottles as they keep drinking, NIKKI spitting and coughing as she moans loudly.
EXT. TAVERN
AUSTIN came up as the SUN was up high in the sky, AUSTIN stopping as CHARLES was waiting for him.
The TWO stare at each other for a long moment before AUSTIN goes to speak but CHARLES stops him.
CHARLES
I'm sure you have a lot to say, and...maybe one day you can tell me why you came to the conclusion that you came too. But I have something I need to say. I was wrong. I've been wrong. That's the truth. You know it...EMMA knows it, and I'm sure so do the others. I have reasons for doing what I did, for doing what I do, and that won't change...cuz that's not who I am...but I need to trust you guys. I need to trust myself for you. So if you're serious...
CHARLES holds out the reinstatement papers, AUSTIN looking at them and then at CHARLES.
CHARLES
And you want back into the fold. I could use you...you're the best I got...least till I get my pet up to speed.
AUSTIN
Dick move, man.
AUSTIN takes the papers as CHARLES smiles.
CHARLES
I assume that's a yes to coming back?
AUSTIN
I took the papers didn't I?
CHARLES
Buy ya drink?
AUSTIN
At 2 pm? Hell yeah.
CHARLES
You smell like sex, AUSTIN...
The TWO going walking into the TAVERN.
AUSTIN
Well...I mean, the hell you think I've been doing with this little mini vacation you gave me.
CHARLES
I assumed soul searching.
AUSTIN
That too...
CHARLES
Yeah...okay...
The door slowly closes behind them as they continue talking.
FADE OUT
END CREDITS
END OF EPISODE.