With the difference between a broker and no broker, the distinction can be made clear from the minutiae.
In the past, if Qi Mu wanted to participate in any activities, he had to personally negotiate with the contact person, and record the time, place and content of the activity. But this time, he didn't need to worry about him at all. Chen Lingpin carefully arranged this solo recital properly, and only needed Qi Mu to prepare the repertoire and then play.
Qi Mu, the professor and dean of the Huaxia Conservatory of Music, may not know him well, but their honorary professor is an old acquaintance of Qi Mu. When Qi Mu saw Tan Lao sitting among the representatives of the China Conservatory of Music with a serious face, he was really dumbfounded, so he could only honestly say: "Tan Lao, hello."
After contacting the officials of the academy, it should not be too late. That night was Qi Mu's recital.
Because it was a recital, the representative sent by the academy asked Qi Mu if he needed piano accompaniment, but he thought about it for a while and then replied: "Piano accompaniment is not needed for the time being. I want to have a complete solo. Yes, let the students of the violin department just listen to the sound of the violin."
After all, most of the students in the college are not at a professional level. If you add the piano accompaniment, I am afraid they will have a very difficult time to understand what Qi Mu wants to express in the sound of the piano.
And before returning to China, Qi Mu was forced by a man to make a promise.
Under the bright and bright moonlight in Berlin, a certain man gently scratched the itchy flesh on the young man's waist while threatening in a low voice: "It's not allowed to... find someone else to play together."
In this regard, Qi Mu of course could not agree. He endured the laughter in his throat, and said, "I...cough cough puff...I am definitely going to ensemble with Kedori. Will I continue to cooperate with the orchestra in the future? Alright, Min Chen, let's go on. Be careful I throw you into the study."
Forced to let go of his salty pig's hands helplessly, Min Chen constricted his dark eyes and thought for a while, then said brutally: "It is not allowed to play with other pianists...well, accompaniment is not allowed!"
Seeing the man's jealous appearance, although I felt that this guy was too unreasonable, Qi Mu couldn't ignore that a warm current was slowly flowing from the bottom of his heart, as if he was domineering for this man. Feeling helpless because of possessiveness.
Qi Mu stretched out his hand and gently hugged the other's waist, then sighed, and said, "So...Min Chen, what are you worried about? I won't play with other pianists in the future, nor will I accompany me. ,good or not?"
It is because of worry that it is so exclusive.
Hearing the voice of the youth sighing, Min Chen gradually pursed his thin lips. After a long time, he warmed up in Qi Mu's ear and said, "I'm worried... you are getting more and more dazzling, more and more dazzling. More and more eyes will focus on you, and more and more people will like you. At that time...well, I will become a yellow-faced woman."
Hearing this, Qi Mu laughed out loud. He looked at the handsome and profound face of the other party and joked: "If this is the case, should you work harder? You are the music master I have always admired. Wrong, so you are also the goal I want to catch up with. You said that if I conquer you someday, am I the king of modern classical music?"
The answer to Qi Mu was the hot kiss that the man suddenly printed. The tightness without a gap made the youth's breath gradually pant, and the body gradually became hot. Desire|hope slowly spread from the bottom|body, making him helpless The earth sinks into the joy|the ocean of love.
At the moment when his mind was hot and his reason was completely occupied by pleasure, Qi Mu suddenly heard Min Chen in his ear, biting his earlobe, while whispering: "Then you come... ...Conquer me."
...Speaking of which, since he promised that someone would not play with other pianists in the future, in this recital, Qi Mu took his violin and walked onto the stage alone, then turned and looked towards the stage. The next piece is looking forward to a sincere look.
The enrollment of the Conservatory of Music has always been very different from that of ordinary schools. In the Huaxia Conservatory of Music, students from seven to twenty years old are everywhere. Even before Qi Mu, I heard Chen Lingpin said that the Huaxia Conservatory of Music recently recruited one. The five-year-old piano genius is said to have a piano talent no less than Wang Zheng.
Looking at this group of young students, Qi Mu suddenly felt that he was really no longer young.
The vigor and vitality of young people are what they admire most, and most of them are also the sparks of inspiration for young talents. Just like the music Min Chen is making now, it is indeed less impulsive and reckless than before, but it has more experience and accumulation of years.
Under the dazzling stage lights, the young man held the glamorous little princess Edith in one hand, and bowed gently to the audience to express his gratitude. Soon, Qi Mu put the bow on the strings amidst the applause of the audience.
But for a moment, the gorgeous and elegant violin sound suddenly sounded.
The two most perfect piano types in the world-Si style and Guar Shiqin, each is a well-deserved treasure in the classical music industry. However, in fact, few people will use these two violins in symphony concerts. After all, these two violins are so different from other violins. Most people can't control them well and make their voices and symphony Group fusion.
Therefore, these two types of violins are generally used in recital performances, specifically showing the perfect sound of the violin, making it a magic weapon to capture the audience.
In Qi Mu's recital, "Edith" completely released her most essential beauty. She swept the audience with a proud and confident piano sound. The beautiful and moving piano sound that day seemed to be the beauty of the crowd, and it seemed to reappear in the spring. With the world's most magnificent vocabulary, it is impossible to describe the kind that only belongs to The perfect sound of "Tiss".
The little princess "Edith" was so moving, but during the recital in the second half of the next half, Qi Mu suddenly changed to "Ke Dong" and played a Tchaikovsky "Symphony of Sadness" and a Brahms's "Violin Concerto in D Major".
"Kedong"'s gloomy and frustrated piano sound resembled Russia's harsh winter, with snow flying and pale, the sound was thick and retains its texture, and all the audience couldn't help feeling tight in their hearts and wept for it.
For this recital at the China Conservatory of Music, Qi Mu really took it seriously. It is already a rare thing to be able to take out all of my two best violins and play them in the same recital.
Qi Mu hopes that these students can hear something different from the sounds of "Edith" and "Ke Dong", understand that the violin is a beautiful matter that allows aesthetics and sadness to coexist, and understand how to use the violin Show complex and diverse emotions, and listen to the blooming of every note clearly.
When the whole recital was over, there was thunderous applause from the audience. All the students clapped their hands in excitement and wanted to pass their praise to the dazzling youth on the stage. They all looked forward to the next step. The performance of the encore.
This time, Qi Mu didn't step off the stage at all, but stood directly in place, staring at every student in the audience seriously.
Under the stage, there was a black and heavy figure. Qi Mu could not see the expressions on each student's face, but he could clearly feel the passion and love of these students for classical music. It is precisely because of this joy from the heart that these children can persist for one, two, three years... ten, twenty years.
Spring comes and winter comes, alternating between cold and heat. It may be that your hands are full of frostbite in the extremely cold winter, but you still insist on practicing the music every day, even if the frostbite ruptures, bleeding and pus; it may be in the intolerable heat, the sweat has been soaked Your front and back, but you are still trying to look at the score, even if the sweat has wetted your eyelashes.
These are what Qi Mu has experienced in his previous life, and they are also his most precious treasures in this life.
It took about three minutes before the applause in the concert hall gradually subsided. Qi Mu held "Ke Dong" in one hand, smiled and bowed to the audience, and then in the curious eyes of the audience, including students, professors and dean, a bright and perfect piano sound suddenly sounded.
From the first note, the momentum is like a long river flowing backwards, whizzing.
"Kedong" beautifully interprets the heavy metal sound quality. The piano sound is lively and vigorous, and the melody is rapid and intense, forming a beautiful wave in the concert hall. Everyone can't help but hold their breath and listen to this. A familiar and unfamiliar piece of music.
Among the people present, no one has heard this piece of music!
Even the well-informed Dean of China Conservatory of Music opened his eyes in amazement, because he had never heard this enthusiastic and joyous song.
Sometimes the voice was cheerful and joyful, sometimes it was urgent and tense; the last section was as bright as spring, and the next second was like a summer storm. Until the last epilogue, when it slowly turned into a sad peace, Lao Tan opened his eyes wide and suddenly realized: "Twilight under the Moonlight?!!!"
Since then, this concerto for violin and piano has appeared in the eyes of the world for the second time.
Before returning to China, Qi Mu discussed with Min Chen that he wanted to give this song "Twilight under the Moonlight" as a small surprise and a small gift to the students of China Conservatory of Music. In this regard, Min Chen did not object, instead, and Qi Mu Lianye made some adaptations of this ensemble to make it more suitable for solo performance.
At the end of the song, there were enthusiastic applause under the stage. From time to time, some people whispered about what the song was, but some people keenly guessed "Is this the legendary "Twilight under the Moonlight"?".
It's been a few months since the ensemble, Min Chen and Qi Mu have not released the song, no wonder it is called a "legend".
But in any case, when this "unknown" piece of music sounded, the students in the audience deeply understood that this piece of music was definitely a perfect and outstanding piece! The helplessness in the sound of the piano and the paleness of sorrow hidden behind the cheerful music make it impossible to forget this song in a lifetime.
China Conservatory of Music has hosted many world music masters, including New York Philharmonic Orchestra, London Philharmonic BBC Orchestra and so on. However, in this large concert hall, it was the first time that such a long applause sounded. The applause lasted for more than five minutes, and finally subsided after the youth bowed for a long time.
There are many fans of Qimu at the Huaxia Conservatory of Music. They are naturally impressed by the outstanding performance of their idols today. And there are some students who are not fans of Qimu music, after listening to such a shocking concert, they can't help but become obsessed with the music of this young violinist.
Qi Mu