After the concert, the praise Qi Mu and Min Chen received can no longer be described in simple numbers.
As long as the music critics present gave an objective and fair evaluation of the performance within a week, even those musicians, students, and orchestra members also posted their opinions on the music on their social accounts such as Twitter. Views of the meeting.
Although those views are different, some people focus on Qi Mu, some people focus on Min Chen, and some people even focus on the little princess "Edith". However, this does not affect the positiveness of these evaluations——
It's all a capital "good"!
Those who listened to this concert lamented that they were fortunate not to miss such a grand performance, while their relatives and friends all cast envy, jealousy and hatred, and screamed in their hearts: why they didn't go. Listen to it live? ! ! !
Even Tan Lao, Zhu Wenjun and other people who got the invitation letter but were unable to come to the concert because of something, they called Qi Mu and complained: "Xiao Qi, you have to record a CD. Right? I can accept a little bit without a record, how can I not even have a CD?!"
Regarding such "accusations", Qi Mu had to smile bitterly and comforted: "Uncle Zhu, both Min Chen and I don't think it is necessary to record the record. We don't want to use this concert as a commercial product for profit. Don't you Angry, next year...I will send you an invitation letter, okay?"
Speaking of this, Zhu Wenjun "faded" with a smile, while Qi Mu hung up the phone dumbfounded and turned his head to look at the man who was looking down at the information. He spread his hands helplessly and said, "Lao Tan and Uncle Zhu both called me just now. It looks like...Should we record some records as gifts next time and give them to them?"
Hearing that, Min Chen did not object, he stretched out his hand to embrace the young man, and whispered: "Well, listen to you."
After the Paris ensemble, Qi Mu and Min Chen plan to stay in the city for one day, and then fly to Vienna and Berlin on their own after the next day. Under the dark Paris night, the lamp of a high-end apartment stayed on until the latter half of the night before being extinguished by its owner.
After the concert is over, things are not without things, and dealing with these follow-up tasks is also extremely troublesome. Therefore, when the two of them confirmed all the follow-up documents, even Qi Mu, who had always been more energetic, felt a little tired. After saying "goodnight" to each other and exchanging a tender goodnight kiss, the two hugged each other to sleep.
On the third day after Qi Mu returned to Vienna, the Belgian national treasure-class classical music magazine "National Music Hall", which was published as a weekly magazine, finally came out. As the loyal readers of countless magazines have guessed, the cover of "National Music Palace", like other classical music magazines previously released, is based on the silhouettes of Qi Mu and Min Chen's concert.
On the good-textured cover, there is a black piano silhouette and a white violin silhouette. The two stand side by side in the center of the cover. And on the right side of the cover, it is printed in large letters——
"A grand event of piano and violin, light up Paris night! "
All the readers looked down carefully, and when they saw the name of the author, they were all stunned, but did not react for a while. Author——
Glatt Lismond!
God, it turned out to be Master Gratt! This is a well-deserved top music critic in Belgium! Sure enough, all the music critics who were invited that night wrote reviews for this concert, even Master Gratt is no exception!
You know, the last time Master Gratt wrote a music review was a year ago. It is also a coincidence that his music review at that time was written to Wei Ai's first European tour in 2017, and it happened to be mentioned at that time. Qi Mu, deputy chief of Wei Ai. But now, after a year, he has once again written a music review, and the person mentioned is unexpectedly sad again!
Thinking of this, all the readers could not help but open the magazine with great expectation and began to read it carefully.
Like the magazines and newspapers published in the past four or five days, this review of "National Music Palace" is mainly praised, and it has conducted in-depth discussions on some aspects such as the selection of instruments and the adaptation of sonatas.
For example, Master Glatt very much agrees with the behavior of "Qi Mu chose the little princess Edith to play". He also thinks that the voice of "Edith" is more suitable for "Song of the Wanderers" and "Rainpoint Sonata". "Of course, it is especially suitable for the last Encore song "Twilight under the Moonlight".
Audiences who heard this sonata at the scene all described it with words such as "amazing", "shocking" and "unforgettable". However, this piece has not been released to the public. No matter how they describe this four-movement sonata, the reader cannot feel the power of this piece to shake the soul.
In the music review of Master Gratt, like other music critics, he studied this newly-born piece in depth and detail: "Violin Sonata in A Major", that is, "Twilight under the Moonlight".
But unlike other music critics, after a little analysis of the composition and emotional expression of this piece, Master Gratt paid more attention to the performer and composer of this piece. He said in the article that he was very curious about what role Qi Mu played in the composition of this piece.
"Auston Bertram has always been a high-volume composer. Whether it is his famous "f major" or a few wonderful piano concertos, they are the crystallization of wisdom in the history of classical music. It has been passed down for a hundred years without changing its color. However, this song "Twilight under the Moonlight" is obviously a bit detached from Bertram's previous works. It pays more attention to the expression of emotions. In the rich and repeated difficult skills, the deep and deep feelings It is not inferior at all, and has even gone beyond the gorgeous skills, becoming an important factor in people's favor."
"Such an innovative sonata makes people wonder: Does the innovative part of this piece come from the talented violinist Qi Mu?"
If it was just such a music review, Qi Mu would not be surprised. Min Chen's composition style has indeed changed a lot in recent years. Even after the concert, even Master Farr called to ask him "why has Alston's composition changed so much".
After learning that Qi Mu was only cooperating with the fourth part of composing, Mr. Faller was stunned for a while, and then his inspiration flashed, and he found himself the most appropriate reason: "Angel, this is love. The power of Alston! Alston's previous songs are always dominated by a strong sense of melody and dazzling skills, but this "Twilight under the Moonlight" has such beautiful emotions! This is love, Angel!"
Qi Mu with a twitching mouth: "..."
Aside from mentioning the past, after Qi Mu got the latest issue of "National Music Hall" from the hands of Mr. Tuckerman, the manager of Wei Ai, he turned it over calmly.
At the beginning, he continued to read it happily, and even studied the part where Mr. Glatt evaluated himself. But when he saw the last full page of evaluation, Qi Mu frowned suddenly and remained silent.
"This Paris Night is undoubtedly the most brilliant concert I have ever heard this year, and even the most perfect piano and violin ensemble I have ever heard in the past three years. Its excellence is not only in its performance. The two musicians performing are both top masters in the industry. It is more that the two musicians' control of each other's music has reached a level of nuance."
"Oston Bertram's piano has gradually become gentle, delicate and gentle since he was aggressive when he won the Shaw Championship more than a decade ago. But his piano still has a sound that most people cannot match. The momentum, so that in the orchestras he has worked with, probably only Bai Ai and Niu Ai, can withstand such a free piano."
"But at night in Paris, I felt another sound that was no less than that of Bertram."
"Unlike the gentle and gentle appearance, Qi Mu's violin is like a sharp and sharp long|gun, with the elegance and calmness in the bones, but without losing the sharpness and surprise on the outside. When the two people's piano sounds are the same When it sounded on a stage, I thought that there would never be a second piano sound so close to Bertram's piano in the world, similar music style, tacit cooperation..."
Qi Mu had already carefully read the words below. He watched very slowly, and the smile on his face gradually became dry.
By the time he finished reading the last sentence, Qi Mu had completely frowned his brows. He quickly closed the thick "National Music Palace", and then sighed without speaking.
In the hundreds of praises after the concert, it is not that no one has put forward the same point of view as Master Gratt, but no one has ever analyzed it like this master of music critics. The whole page of comments is a thorough analysis of Qi Mu and Min Chen's performance skills, musical style, and sense of cooperation.
Don't say it's someone else, even after Qi Mu watched it, he silently thought in his heart: He was right.
Perhaps after reading this article, other readers just hoped that he would cooperate more with Min Chen. But after Qi Mu watched it, he realized that he and Min Chen were so harmoniously and harmoniously that it was not just an ensemble of the two, but even...in the cooperation with the orchestra, they were also more suitable.
At the end of the article, Master Gratt used one sentence to clarify his point of view. He said something similar a year ago, but this time, he said it more obscurely, but Qi Mu could no longer ignore it—
"Maybe one day, Qi Mu will have the opportunity to cooperate with the Berlin Philharmonic Orchestra. No matter whether such a miracle will occur, I will always believe that as long as that day comes,