After the unification of China by Qin Shihuang, XiaoYan promoted the policy of the book, Created a unified Chinese character writing form.
Xiaoyan was popular in China until the end of Han Dynasty, and was gradually replaced by Lishu.
Xiaoyan's body is slender, the strokes are evenly distributed, and it does not show any traces with a pen. It is dignified and beautiful.
Since the Qin Dynasty, most calligraphers of all dynasties have regarded Qin Hui as a gui, taking their slender vertical posture as their physical appearance.
The words on the stone stele exactly fit this feature.
Chen Rui can confirm that the font of these three characters is Xiaoyan.
Chen Rui simply listened to the old professor's introduction of this type of text and characteristics, and saw this type of text on the seal collected by the old professor.
But he did not learn this kind of words systematically, so Chen Rui didn't know what these three words were called.
Chen Rui pushed open the hut.
The thatched hut is simple, with a table, a chair, a bed.
What attracted Chen Rui's attention in the thatched cottage was a pile of bamboo slips on the table.
The bamboo strips are made from cut pieces. Each piece is cut, cut, and dried to a uniform size and thickness. After writing on it, drilling and drilling, the bamboo slips make people look very neat, Beautiful.
Chen Rui picked up a roll of bamboo slips and glanced over.
This is an article. Each piece of bamboo is written in one line and written in small ink brush.
The font is very beautiful and very charming, which makes look pleasing to the eye.
Can be said to be a very fine work of art.
Bamboo slips, Xiaoyan.
Through these two points, Chen Rui can basically determine these bamboo slips, was written in the Qin and Han dynasties.
It may be very difficult for ancient people to understand the meaning of the text on the Qin and Han Tablets.
However, it is easy for modern people.
Now that Internet is so developed, you can find correct and very detailed answers online.
Chen Rui picked up a roll of bamboo slips out of the sea pearl space.
He opened his laptop and downloaded a whole book of Xiaoyan fonts on the Internet. Then, he translated them one by one against the small letters on the bamboo slips.
It was a week later when all the bamboo slips on the table in the hut were translated.
All these shocked Chen Rui.
He learned from the text translated by Xiaoyan on bamboo slips that the pearls are called space sea pearls and their origin is unknown.
The date of the emergence of can be inferred to an earlier age than the three emperors and five emperors.
The space master of Yunzhu Haizhu was a Qin and Han person named Chen Yuan, who accidentally got this pearl.
It is a pity that the fate is not enough, and Chen Yuan died.
Even if you get the treasure of the sky, if you don't break through, Shou Yuan will arrive, and it will eventually turn gray.
Chen Yuan putted the pearl in a cave in the East China Sea. Pearl remain in the cave at the bottom of the sea.
Due to various coincidences, The pearl was now found by Chen Rui.
In these bamboo slips, most of them are collected by Chen Yuan during his travels, and a large part of them are pre-Qin classics.
Xian Qin's classics, have experienced Qin Shihuang burning the book, Chimei Ruguan, Dong Zhuo Qiandu, Liu Shiranhua, Wei Shi into the Xiao Yi burning the book. Now these classics are disappeared in the modern day.
Later generations studied the history and culture of the pre-Qin dynasty and laid a foundation for the formation of the Chinese nation. It was a very important period in the academic scholarship of Spring and Autumn. Because of lack of reference materials, many places rely on speculation, and that history, culture, and thinking are very vague.
This makes many scholars who study the history and culture of the pre-Qin Dynasty very regrettable.
With these classics, the history, culture, military, agriculture, people, and other aspects of the pre-Qin period can be clearly displayed before people make up supplements, which is of great significance for studying the formation of Chinese civilization.
Therefore, these classics are very precious and cannot be measured by value.
Chen Rui counted it, there were hundreds of volumes.
The all-encompassing content is of great significance to the study of the culture, history, and military of the pre-Qin Dynasty.
For example, Sima Qian's "Historical Records" recorded a paragraph, Li Si suggested, 'Historical books only retain the historical books of the Qin country, and historical books of other countries have been burned; only the doctoral officers can retain the "Book of Songs", "Book of Classics", and the books of the hundred scholars. The folks all handed over and burned down within a time limit; the books of medicine, Buddhism, and agriculture can be kept by the folks; those who want to learn law use officials as teachers. '
The history books of the six kingdoms burned by the Confucianist in the burning book pit were completely preserved in the pearls.
In addition, there are poems, prose, Chu Ci, etc. that occupied a very important place in the pre-Qin culture.
Some of these documents have been passed down to the present, and some have disappeared into the long river of history.
Chen Rui believes that when these hundreds of books are taken outside, any one of them can cause shocks in Chinese culture, history, and cultural relics.
If hundreds of volumes are all taken out, the sensation Chen Rui can scarcely imagine.
For these pre-Qin classics, Chen Ruizhen despised them.
But for the remaining few bamboo slips, I can no longer describe it as Valuable.
'I am a cultivator ' Chen Rui thought.
For the cultivation of immortals, has a lot of records in the ancient field history, such as, 'Wang Xi encounters immortal chess,' 'Peng Zu has eight hundred years of his life, Mian Shou Yong Shi,' "Non-end of life, not death. "" Qin Shihuang sent Xu Fu to lead thousands of children, boys and girls, as well as three years of food, clothing, medicines, and farming tools that had been prepared. "and many more."
Especially in the pre-Qin and Qin and Han dynasties, many such legends of cultivating immortals were numerous. Even in the pre-Qin, Qin and Han dynasties, and in the official history of different dynasties, there was a person named 'Fang Shi'.
The alchemist is the alchemist. People who claimed to be able to visit Xianlian Dan in ancient times in order to live forever.
For example, "Historical Records of the First Emperor Qin Shihuang": "Fang Shi wants to practice for magical medicine."
"Su Wen · Five Internal Organs": "Yu Wenfangshi either uses the brain as the viscera, or the stomach as the viscera, or thinks ."
Hu Tianxiong's "Study on Supplementary Knowledge": "The alchemist can use the art of immortality to talk about monarchs, covering the ancient family of ancient immortals, Xu Fu of Qin, Xin Yuanping of Han, and Li Shaojun."
Chen Rui originally thought these were just legends. As an interesting story, just listen and laugh.
But everything that happened today, Pearl , space, pre-Qin classics, and bamboo slips documenting the practice of immortal methods, made Chen Rui change his previous thoughts.
There are really cultivators in the world, although it is not as long as the legend goes, it is as bright as the sun and the moon.
But it should not be underestimated. It is recorded in the bamboo slips that once entering Xianmen, there is no disease and disaster. It is easy to live to over a hundred years of age and practice to the highest level. Like Peng Zu, 'longevity is 800, and it lasts forever.' possible.