With a stroke of his brush, Meng Chuan drew the World Entrance in the middle of the painting. A dense horde of demons poured out from the World Entrance and spread in all directions.
He slowly painted, starting with a rough outline.
He focused on one of the demons on the periphery of the spreading horde. It was a mantis demon. He drew it extremely carefully because it was the demon that had left the deepest impression on him when he was six.
…
While painting, the translucent tiny person in his glabella space began to emit a spiritual light. After all these years—ever since painting "People Resonance"—this was the second time it underwent transformations.
…
He immersed himself in his painting, mainly focusing on the mantis demon and its pursuit of his family of three.
The father ran while carrying the child. The mother charged at the mantis demon with a sword.
