What was real, and what was fake?
To Marcus Pelle, the difference was a matter of perspective.
Perhaps one person found an imitation mech that precisely copied an authentic mech design to be real, while others insisted that it would always remain a fake.
A lot of arguments could be made about what was fake and what was real, but Pelle did not stop at this point. Instead, he took a step further and came up with a surprising principle.
"If what is real and what is fake is in question, why not play around with this ambiguity?"
This was where Pelle's interpretation of surrealism came into play. The mech designer manipulated the sensors of his mechs into blended truths and untruths, thereby causing mech pilots on long deployment to become plagued by strange sensory outputs.
