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An old god awakening from its slumber, deep beneath the ruins of an empire that vanished overnight. With its awakening during an era of peace and innovation, of a new empire that seeks to learn more of its long-forgotten neighbours, only she who is chosen by the god itself can sing it back to sleep. Her journey into the ancient empire of Rias with her fiance brings forth many trials and nightmares that steel her resolve, and in the end, it is their fellow man they must defeat in order to save humanity from an eternal slumber. This was the plot of Lullaby for a God.

This is the plot Stella is reborn into, trapped in the body of a nameless boy whose only trait described in the novel was that of nomadic descent. And she was satisfied with that. Lullaby for a God was not only the kind of story that hosted political intrigue and fantastical battles against supernatural creations of a god, but it was also a great source of smutty self-indulgence for the author. Not having to deal with the love triange between the saintess, the duke, and the witch, on top of constant fights for her life and avoiding the sexcapades of the main leads, was a dream come true for her. Stella can say, with utmost confidence in her position as a worker at a humble barony, that her life and virtue are not on the chopping block unless she goes out of her way to look for the main characters.

Until the villainess finds her first.

Table of Regina Stellarum

Table of contents

Volume 1